The Gardiner is now open from Thursday - Sunday, including free weekend admission! There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Clay Restaurant is still open Tuesday - Sunday. Reservations fill up fast, so book your table early. Please read our new health and safety policies before you visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're firing up the kilns again! Join us on Saturdays and Sundays from 1 - 3 pm for drop in clay classes in our pottery studios. We've reduced our class sizes to allow for safe physical distancing, and instituted new health and safety protocols. Registration opens online at 10 am on the morning of the class. We can't wait to see you back in the studios!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
The Gardiner Museum is pleased to announce that we will offer free admission Community Building Weekends for the rest of 2020. The goal of these free weekends is to encourage our diverse communities, particularly first-time visitors, to explore the Museum, participate in hands-on programs that connect families, and experience clay and ceramics in unique, inspiring, and unexpected ways.
In response to the success of the Gardiner’s free opening weekend, the Museum will continue to offer free admission to the public every Saturday and Sunday throughout the summer.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material.The Gardiner Museum’s new exhibition RAW, opening on March 5, 2020, features the work of four leading artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson.
On February 20, the Gardiner Museum will present the world premiere of a new performance work by internationally-acclaimed artist Cassils. Cassils, who was born in Toronto and grew up in Montreal, draws on feminism, body art, gay male aesthetics, and extreme physical training to make powerful statements about non-binary and trans visibility.
Read the full article in The New York Times
Savour: Food Culture in the Age of Enlightenment invites visitors on a journey from the steamy kitchens of cooks who advocated light, flavourful cuisine centuries before our time to the dining rooms of connoisseurs who relished their meals served on newly-invented vessels.
Read the full article on CBC Arts.
Read the full article on CBC Arts.
The Gardiner Museum presents the Canadian debut of Cannupa Hanska Luger: Every One & Kali Spitzer: Sister, an installation opening on August 30 that brings visibility to the crisis surrounding murdered and missing Indigenous women, girls, trans, and queer community members.
Launched in 2016, the Community Arts Space promotes experimentation and socially-engaged art through a full summer of free public projects, including exhibitions, hands-on workshops, talks, and performances that inspire conversation and social action.
This year’s theme, “What we long for,” explores the ways in which justice and pleasure can co-exist as counterpoints to calling out, gaslighting, exhaustion, and burnout. The four public projects engage with community healing, survival tools, the gaps between community and institutional memory, and how craft creates opportunities for acknowledgment and action.
111 Queen's Park
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