Like many of you, we have been closely following the developments of COVID-19. The Gardiner Museum is closed temporarily as of March 14, 2020. We will continue to take guidance from our public health officials regarding the duration of the closure and will post updates to our website and social media channels as they become available. We are grateful for your support and thank you for your patience and understanding as we work to navigate this challenging time. We look forward to welcoming you back to the Gardiner soon.
Our spring sessional classes and workshops scheduled for April and May have been cancelled. Refunds will be issued automatically.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
Like many of you, we have been closely following the developments of COVID-19. The safety of our visitors, campers, staff, and volunteers is our top priority.
Upon the advice of Ontario’s Chief Medical Officer of Health, Dr. David Williams, the Gardiner Museum will close temporarily effective Saturday March 14, 2020. Dr. Williams has ordered the immediate suspension of all gatherings over 250 people because of the risk of contracting the coronavirus (COVID-19).
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material.The Gardiner Museum’s new exhibition RAW, opening on March 5, 2020, features the work of four leading artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson.
On February 20, the Gardiner Museum will present the world premiere of a new performance work by internationally-acclaimed artist Cassils. Cassils, who was born in Toronto and grew up in Montreal, draws on feminism, body art, gay male aesthetics, and extreme physical training to make powerful statements about non-binary and trans visibility.
Read the full article in The New York Times
Savour: Food Culture in the Age of Enlightenment invites visitors on a journey from the steamy kitchens of cooks who advocated light, flavourful cuisine centuries before our time to the dining rooms of connoisseurs who relished their meals served on newly-invented vessels.
Read the full article on CBC Arts.
The Gardiner Museum presents the Canadian debut of Cannupa Hanska Luger: Every One & Kali Spitzer: Sister, an installation opening on August 30 that brings visibility to the crisis surrounding murdered and missing Indigenous women, girls, trans, and queer community members.
Launched in 2016, the Community Arts Space promotes experimentation and socially-engaged art through a full summer of free public projects, including exhibitions, hands-on workshops, talks, and performances that inspire conversation and social action. This year’s theme, “What we long for,” explores the ways in which justice and pleasure can co-exist as counterpoints to calling out, gaslighting, exhaustion, and burnout. The four public projects engage with community healing, survival tools, the gaps between community and institutional memory, and how craft creates opportunities for acknowledgment and action.
Read the full article at Beyond Fashion Magazine.