There’s more to the Gardiner than our collections. Take a clay class, learn about the art of ceramics with world-renowned guest speakers, or join us for one of our many special events.
The Gardiner Museum celebrates the art of ceramics and engages local and international audiences by promoting understanding of the long history of people crafting in clay.
Through the display of its permanent collections and special exhibitions, as well as through studio education, programs that engage diverse communities, and major contributions to scholarship, the Gardiner champions ceramics.
Support from the community is vital to the Gardiner’s ability to continue to provide
Reserve your table for the Santa Claus Parade Brunch. Enjoy a delicious buffet with one of the best views of the parade in the city. Space is limited so book your spot early!
You're invited on a journey from the steamy kitchens of cooks who advocated light, flavourful cuisine centuries before our time to the dining rooms of connoisseurs who relished their meals served on newly-invented vessels. Be transported back to the 18th century through stunning objects, decadent recipes, amusing stories, and theatrical sets. Plan your visit to Savour: Food Culture in the Age of Enlightenment now!
Join us on November 21 for the opening of the International Ceramic Art Fair and be the first to see and purchase exceptional ceramics by women-identified artists. Proceeds from the event support the Gardiner's clay education and outreach programs. Buy your ticket now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Who says ceramics can’t be spooky? From an ancient god wearing the skin of his victim to a porcelain goblin, these objects from our galleries are sure to serve up a scare. Pay them a visit to get some eerie inspiration this Halloween!
Monkey Skull Vessel. Guatemala, Highlands, AD 600 – 750. Earthenware. Gift of George and Helen Gardiner. G83.1.119
This skull was a chocolate-drinking vessel, often used by the elite to express the divine and worldly power of Maya rulers. This particular vessel may portray either a sacred ancestor or the mythical Hun Hunahpu, who was said to have been tricked by demonic lords of the Underworld, beheaded, and transformed into a calabash (or gourd).
Pilloried Harlequin. Netherlands, De Matelen Pot Workshop, c. 1691 – 1721. Red earthenware. Purchased with funds raised by the Twelve Trees of Christmas Gala. G97.8.1
This pilloried harlequin looks like he’s seen better days. The main purpose of putting criminals in the pillory was to publicly humiliate them, but those who gathered to participate in public mockeries would often bring mud, rotten food, and even dead animals to throw at the offender—injuries and even deaths would often occur if crowds became violent.
Head of Xipe Totec, Aztec style (but possibly made in Veracruz), Mexico. Late Postclassic period, AD 1428 – 1521. Earthenware. Gift of George and Helen Gardiner. G83.1.0073
This unnerving sculpture represents the head of Xipe Totec, a Mesoamerican god associated with the shedding of death and the coming of new life. Known as “The Flayed One,” Xipe Totec flayed himself to give food to humanity and is commonly portrayed wearing the skin of a sacrificed person over his own. Remind you of any scary movies? This inspired an ancient ceremony called Tlacaxipehualiztli, which involved the flaying of war prisoners by priests, who would wear the victim’s skins in honour of the revered god.
Goblin Orchid, 2010. Shary Boyle, Canadian. Porcelain. Gift of the artist. G10.6.1
Check out the menacing teeth on this goblin! An artist whose work considers the social history of ceramic figurines, animist mythologies and folk art forms, Shary Boyle said in a recent interview, “My work has often been described as dark or creepy or grotesque or frightening or unsettling.”
Bat Effigy Vessel. Tairona culture, Columbia. AD 1000 – 1500. Earthenware. Gift of George and Helen Gardiner. G83.1.0174
Though they’re often associated with blood-sucking vampires this time of year, only three of over 1,300 species of bats feed primarily on blood. This Tairona ritual vessel features an anthropomorphic bat, which was believed to be a spirit animal into which shamans could transform themselves. This combined human and bat figure probably represents a shaman in his spiritual form.
111 Queen's Park
Canada, M5S 2C7