Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
February 16 to May 21, 2017
Janet Macpherson: A Canadian Bestiary is an unprecedented group of installations where the artist uses her unique visual language to convey a very personal view of Canada. Through four immersive installations that include sound design by Justin Haynes and Janet Macpherson, and video projections by Renée Lear, Macpherson revisits moments in Canadian history and questions commonly-held conceptions about the North, identity, and our relationship to landscape.
David Balzer, Editor-in-Chief at Canadian Art magazine explores the problems and opportunities surrounding Canada 150: an event that could, and should, be as much about the future as the past.
The Gardiner Museum is Canada’s national museum of ceramics. It is one of a small number of specialized museums of ceramics in the world. Ceramic is the term we use to describe any object, whether created for practical, ritual, or ornamental use, that is made of clay and fired. There are many different types of […]
Each year, people like you help the Gardiner maintain the exhibitions, collections and programs that contribute to the vitality of Toronto by engaging an increasingly diverse population and helping to create community through shared experience.
Michael Orlando has been involved in several positions in both the arts and culture and private sector. Spending 2009-2014 working in advertising and account management, he served as both a territory manager and lead when acquiring new publications. Michael is pleased to rejoin the arts sector full-time. Away from the Gardiner, Michael is the Founding Co-Artistic Director of the Theatre Lab, a Toronto-based company that was established in 2008. He has worked extensively with both Canadian and international theatre and performance companies as a playwright, actor, director, dramaturge and producer. Michael is also a partner at Collective Studio, a rental space and community-hub located in the Bloordale neighbourhood of Toronto. Michael is thrilled to be here at the Gardiner, helping to grow and develop all the commercial aspects of the Museum. He is a graduate of the Humber Theatre Conservatory and lives with his wife near Trinity-Bellwoods Park in Downtown Toronto.
Meredith is an independent specialist in early European porcelain, dining and social culture of the eighteenth century, as well as theatre history. Educated at the University of East Anglia and Manchester University, she first joined the Gardiner Museum in 1983. As Acting Director and Curator, she worked with the team responsible for opening the museum. Subsequently, she became the museum’s curator, a role she retained for over twenty years.
In 2004 Meredith left the Gardiner Museum to produce a major three-volume monograph for the Melinda and Paul Sullivan Foundation: Fired by Passion, Vienna Baroque Porcelain of Claudius Innocentius Du Paquier. The English edition was launched with an exhibition she co-curated at the Metropolitan Museum of Art, New York in 2009; the German edition at the Liechtenstein Palace Museum in Vienna. Meredith was the principal contributor to Daily Pleasures: French Ceramics from the MaryLou Boone Collection (Los Angeles County Museum of Art: 2012). She is currently working on the English edition of a catalogue for the Kiscell Museum in Budapest.
Meredith has curated over 20 exhibitions, published approximately 50 articles and books, and has made four films with the CBC. In 1990, one of her articles was republished in Best Canadian Essays, and again in Prose Models for Undergraduates. Her 2001 publication, Harlequin Unmasked: The Commedia dell’Arte and Porcelain Sculpture was awarded three international awards for research and theatre history. Meredith teaches and lectures extensively in North America and Europe. She has sat on a variety of Boards, and is the honorary member of three ceramics institutions. In 2005 she was honoured by the Gardiner Museum Volunteers, who named the Meredith Chilton Commedia dell’Arte Gallery in perpetuity at the Gardiner Museum.
After a ten year absence, Meredith has rejoined the Gardiner Museum team as Acting Chief Curator.
Rachel Gotlieb served as the founding Curator of the Design Exchange between 1990–2002, and co-wrote Design in Canada (Knopf Canada, 2001). She has curated and co-curated several important exhibitions, including: Pop: Design from the Space Age (Design Exchange 1994); Thor Hansen: Crafting a Canadian Style (Textile Museum of Canada, 2005), On the Table: 100 Years of Functional Ceramics; (Gardiner Museum, 2007), and Beaver Tales: Canadian Art and Design (University of Toronto Art Centre, 2008). She has taught design history at Ryerson University School of Fashion, OCAD and Sheridan College. She created and implemented the Studio North and Prototype exhibits for Canadian artisans at the Toronto Interior Design Show, as well as conceived and directed its Conversations in Design annual symposium.
She currently serves on OCADU’s On Site Gallery Advisory Board and on the Professional Advisory Committee for Art and Art History Sheridan/University of Toronto, Mississauga. She has also served on the board of the Ontario Crafts Council (2006-8), and City of Toronto Public Art Commission (1994-7).
Rachel received her M.A.in Design History at the Royal College of Art & the Victoria & Albert Museum, where her thesis topic investigated “The Aesthetic Criteria and Vocabulary of British Studio Potters and Art Manufacturers 1914-1930.” She also completed a Sotheby’s short course in European Decorative Arts. She is a PhD candidate in Art History at Queen’s University in Kingston, Ontario.
Karine Tsoumis is a specialist in 16th-century Venetian art and culture, with a particular interest for material culture, the domestic space, and family history. She received her Masters’ Degree in Art History from McGill University, Montreal, and her Ph.D. from the University of Toronto with a dissertation entitled Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice. As a curator at the Gardiner Museum, she works on temporary exhibitions and leads research on the permanent collection with a focus on Italian Renaissance maiolica.
Siobhan Boyd graduated from York University with an MA in Anthropology and a MSc in archaeology from UCL, University of London, England. Her research interests, which benefit the Gardiner, include cultures from the Ancient Americas, and Ontario prehistory. As a practicing archaeologists, she works most summers in Ecuador where she excavates Inca and pre Inca fortresses. At the Gardiner, which she joined in 2002, she is responsible for the education department, including school programs, clay classes and other adult programming.
Kelvin Browne joined the Gardiner Museum as Executive Director and CEO in 2013. Prior to this he held several positions at the Royal Ontario Museum including Managing Director of the Institute of Contemporary Culture and Vice President of Marketing and Major Exhibitions. Kelvin is well- known as a magazine and newspaper columnist on design, and wrote the book Bold Visions about the architecture of the ROM. He has a Masters in Architecture from the University of Toronto. He was born in Penticton, B.C. and graduated from St. John’s-Ravenscourt School in Winnipeg before attending university.
Sophie Vayro brings over ten years of experience in arts and cultural administration to her role as Board Secretary and Executive Assistant. Prior to joining the Gardiner, Vayro ran her own arts and non-profit administration business in Toronto working with a variety of music, theatre and dance companies. Outside the Museum, she continues to work with the Gryphon Trio and the ARC Ensemble (Artists of the Royal Conservatory). After completing a degree in History at Simon Fraser University and a certificate in Sport and Event Marketing Management at George Brown College, Vayro went on to work in development, both at Tapestry New Opera and the development consultancy, Hennessy & Associates, where she assisted in securing private sector support for a client base of small to medium sized cultural, environmental and social service non-profit organizations. She has two young daughters and is an avid recreational soccer player.
Lauren Gould has worked in a variety of roles within the arts and higher education sectors with a focus on promoting public engagement, implementing organizational improvements, and working in collaboration with a range of partners.
Lauren began her career in Montreal working for both Concordia University and Centennial Academy and College managing a variety of fundraising, events, and engagement programs. From 2005 to 2009, Lauren managed the Education Department at the Lady Lever Art Gallery, part of National Museums Liverpool in the UK. Returning to Canada in 2010, Gould was appointed General Manager at The School of Toronto Dance Theatre, overseeing the administration of the organization’s four divisions and day-to-day operations, as well as authoring the organization’s first strategic plan. Joining the Gardiner Museum in 2013 as the Audience Development Manager, Lauren served as the Senior Manager of Development and Programs from 2014 to 2017 when she was appointed Chief Operating Officer.
Lauren completed her B.A. at Concordia University specializing in Creative Writing, Art History, and Studio Art. She also has an M.A. in Cultural Leadership from Liverpool John Moores University.
Direct email us for all general inquiries
Executive Director and CEO 416.408.5219 View Bio
Executive Assistant & Board Secretary 416.408.5051 View Bio
Chief Operating Officer and Acting Senior Manager of Development 416.408.5077 View Bio
Senior Manager, Information Technology 416.408.5054
Security & Facility Manager 416.408.5056
Security & Facility Assistant Manager 416.408.5060
Senior Manager, Commercial & Visitor Services 416.408.5069 View Bio
Shop Manager 416.408.5073
Visitor Services and Reception Assistant 416.408.5055
Chief Curator 416.408.5074 View Bio
Adjunct Curator View Bio
Dr. Karine Tsoumis
Curator, MA, PH.D 416.408.5063 View Bio
Curatorial Installation Manager 416.408.5058
Collections Manager 416.408.5067
Nicole Coolidge Rousmaniere
Major Exhibitions Manager 416.408.5059
Special Events Manager 416.408.5075
Senior Manager, Education & Programs/Adjunct Curator 416.408.5064 View Bio
Education Manager 416.408.5212
Programs Manager 416.408.5074
Senior Manager, Marketing 416.408.5062
Art Director 416.408.5050
111 Queen's Park
Canada, M5S 2C7