We've reopened with modified summer hours and free admission on weekends! There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Please read our new health and safety policies before your visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're excited to introduce Clay Date, a new online art fundraiser in support of the Gardiner Museum and inspired by the special exhibition RAW. Presented by the Young Patron Circle's SMASH Committee, Clay Date will virtually unite a community of art enthusiasts and cultural philanthropists for an evening with artist Habiba El-Sayed.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
Teapots and robotics collide in Splendid Teapot Racing, a beloved sport of many who embrace Steampunk, an artist-led subculture based on Victorian science-fiction.
Like the name suggests, teapots mounted onto remote-controlled chassis compete in this delightful event, and other than a size restriction of 30 centimeters in height and width and 40 centimeters in length, creativity is highly encouraged—taxidermy rat jockeys, octopus legs, and teapots bursting with steam are among the many unique features found on racers, adding a beauty pageant-like element to the competition.
Countess Simona du Montgomerie hosting the Splendid Teapot Race at the 2017 Steampunk NZ Festival. Photo courtesy the Steampunk NZ Festival
A Splendid Teapot racer by Steampunker Adam Smith, also known as Phineas Phlensing, esq. Image courtesy Adam Smith
Conceived by Steampunk enthusiast Simone Montgomery (or Countess Simona du Montgomerie as she’s known in Steampunk circles), the first Splendid Teapot Race kicked off at the Oamaru Steampunk Festival in New Zealand in 2014. Since then, it has inspired events internationally, with races happening all over the world in countries including the United States, Spain, Japan, and even here in Canada.
“I encountered Splendid Teapot Racing on Facebook and immediately thought, ‘this should be a thing here in Canada—we should be doing this and having some fun with this,’” recalls Canadian Steampunker John Sproule, also known as Professor Thaddeus Giltzmore.
A contestant at a Splendid Teapot Race at the 2016 Phoenix Comicon. Photo courtesy Phoenix Comicon
Sproule, who is credited with building the country’s first Splendid Teapot racer, introduced the sport to the Canadian Steampunk community in the summer of 2015. Later that year, he helped organize the nation’s first ever race at the Grand Canadian Steampunk Exposition (GCSE), and it’s been a beloved fixture at the annual event ever since.
The rules of the competition seem simple: one by one, participants navigate their racer through an obstacle course that consists of a number of hazards—some suggestions outlined in the Official Rules of Splendid Teapot Racing include a ramp, tunnel, jump, and obstacles of a breakable nature.
Plans for the “Ramp of Doom” at the 2015 Grand Canadian Steampunk Exposition. Photo courtesy John Sproule
However, beyond the race itself, things get tricky, with points being awarded for the look of your vehicle, showmanship, and bribery of the judges. Andy Moses, known by fellow Steampunkers as Sir Thomas Nigel Tinkerton, is the founder of the Hamilton Splendid Teapot Racing Association and helped officiate the race at the GCSE last year. He encourages bribes that are inexpensive and relevant to Splendid Teapot Racing or Steampunk in general—ones that are handmade or edible in nature are a plus.
“The lady that won was second in time but was the only racer to bribe the judges. I will leave it at that,” Moses said when asked about the importance of bribery.
Madame Askewa, one of the judges at the 2016 Splendid Teapot Race in Phoenix. Photo courtesy Phoenix Comicon
Despite the unexpected upsets that bribes can cause, Sproule emphasizes the lightheartedness of the sport: “The real fun of Splendid Teapot Racing, aside from the whimsy and craziness of the entirety of the thing, is getting people involved in having fun…it should be generally an evening or two of fun craftwork. And thereafter, you are a teapot racer—a Splendid Teapot Racer.”
And as for the future of Splendid Teapot Racing in Canada? Moses is optimistic: “[It] seems to be received well in the Canadian Steampunk Community. Only time will tell if it truly catches on. I know I am hooked.”
Canada’s second annual Splendid Teapot Race takes place at the Grand Canadian Steampunk Exposition on September 23 and 24 in Niagara-on-the-Lake, Ontario, Canada. Check out the teapots in the Gardiner’s Collection for some inspiration, and learn more and register for the event here.
Lead image: ‘Get Kraken,’ Steampunker Asp Zelazny’s Splendid Teapot racer from the 2016 Phoenix Comicon. Image courtesy Phoenix Comicon
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