We've reopened with our regular hours and admission rates and can't wait to welcome you back to the Gardiner. There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Please read our new health and safety policies before your visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're posting family-friendly art activities inspired by our collection and the endless possibilities of clay. Visit our Family Day page for weekly crafts, colouring pages, and more fun art projects that you can enjoy at home.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
FREE with Registration
With the Gardiner temporarily closed, we’re excited to present a new live series hosted by Chief Curator Sequoia Miller in which an artist will share three of their artworks and speak about them in connection to a larger theme.
This week, our presenter is Sameer Farooq, a Canadian artist of Pakistani and Ugandan Indian descent. His interdisciplinary practice investigates tactics of representation through sculpture, installation, photography, documentary filmmaking, writing, and methods of anthropology.
About the Artist
Sameer Farooq is a Canadian artist of Pakistani and Ugandan Indian descent. His interdisciplinary practice investigates tactics of representation and enlists the tools of sculpture, installation, photography, documentary filmmaking, writing and the methods of anthropology to explore various forms of collecting, interpreting, and display. The result is often a collaborative work which counterbalances how dominant institutions speak about our lives: a counter-archive, new additions to a museum collection, or a buried history made visible.
Farooq has held exhibitions at institutions around the world including the Aga Khan Museum, Toronto (2017); Art Gallery of Ontario (2011); The British Library, London (2015); Institute of Islamic Culture, Paris (2017); Lilley Museum, Nevada (2019); Vicki Myhren Gallery, Denver (2018); Contemporary Art Gallery, Vancouver (2016); Maquis Projects, Turkey (2015); Trankat, Morocco (2014); Sol Koffler Gallery, Rhode Island (2015); Artellewa, Cairo (2014); and Sanat Limani, Turkey (2010). He is a recipient of awards from the Canada Council for the Arts; Ontario Arts Council; Toronto Arts Council; the Europe Media Fund; as well the President’s Scholarship at the Rhode Island School of Design.
Reviews and essays dedicated to his work have been published by Canadian Art; The Washington Post; BBC Culture; Hyperallergic; Artnet; The Huffington Post; and C Magazine among others. Farooq was longlisted for the Sobey Art Award in 2018, Canada’s preeminent art award.
Header image: Photo by Ann Ploeger
Headshot: Yuula Benivolski
111 Queen's Park
Canada, M5S 2C7