Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
Join us for a full summer of free community arts programming in our Exhibition Hall and on the plaza, featuring work by emerging artists, curators, and architects inspired by the theme "Art is Change".
Queer video and performance artist Mikiki, who identifies as a mixed White/Indigenous person of Mi’kmaq, Acadian, and Irish heritage, will address issues of identity and colonization through original choreography performed on a bed of wet clay. Performances are FREE with registration!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
January 9 – March 2, 2014
Amber Zuber (b. 1973) has a BA in History from McMaster University. She studied Ceramics at Sheridan College, School of Craft & Design (2010-2013). She completed a Summer Assistant Residency at Peters Valley Craft Centre in 2012. In her final year of Sheridan, she was honoured with two graduate exhibition awards for best in show, The Gardiner Museum Award (Ceramics) and The Ottenmiller Graduate Exhibition Award (Craft & Design). Since June 2013 she has been an Artist-in-Residence at Harbourfront Centre and was awarded a scholarship.
My Canadian Landscape 2013 Wood-fired stoneware
My work engages with concepts of identity. Through the making of objects that elicit memory, whether experienced or imagined, my work is an investigation of the self and of our attachments. Interpreting my surroundings in order to re-examine and re-invent, My Canadian Landscape is a wood-fired series that looked to my city block as a muse— the visual identity of Toronto that lies in front, above and below me. The city manhole covers were my texture and the buildings my form. Using wood to fuel the kiln, the clay was deliberately left bare in order to allow the natural effects of the flame and ash to adorn the surfaces. I appreciate the mundane textures and forms of the everyday and these vessels serve as trace souvenirs of my immediate surroundings.