Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
February 16 to May 21, 2017
Janet Macpherson: A Canadian Bestiary is an unprecedented group of installations where the artist uses her unique visual language to convey a very personal view of Canada. Through four immersive installations that include sound design by Justin Haynes and Janet Macpherson, and video projections by Renée Lear, Macpherson revisits moments in Canadian history and questions commonly-held conceptions about the North, identity, and our relationship to landscape.
Join Kelvin Browne (Executive Director & CEO) as he discusses the special exhibition A Canadian Bestiary with artist Janet Macpherson, video artist Renée Lear, and curator Karine Tsoumis.
The Gardiner Museum is Canada’s national museum of ceramics. It is one of a small number of specialized museums of ceramics in the world. Ceramic is the term we use to describe any object, whether created for practical, ritual, or ornamental use, that is made of clay and fired. There are many different types of […]
Each year, people like you help the Gardiner maintain the exhibitions, collections and programs that contribute to the vitality of Toronto by engaging an increasingly diverse population and helping to create community through shared experience.
January 9 – March 2, 2014
Amber Zuber (b. 1973) has a BA in History from McMaster University. She studied Ceramics at Sheridan College, School of Craft & Design (2010-2013). She completed a Summer Assistant Residency at Peters Valley Craft Centre in 2012. In her final year of Sheridan, she was honoured with two graduate exhibition awards for best in show, The Gardiner Museum Award (Ceramics) and The Ottenmiller Graduate Exhibition Award (Craft & Design). Since June 2013 she has been an Artist-in-Residence at Harbourfront Centre and was awarded a scholarship.
My Canadian Landscape
My work engages with concepts of identity. Through the making of objects that elicit memory, whether experienced or imagined, my work is an investigation of the self and of our attachments. Interpreting my surroundings in order to re-examine and re-invent, My Canadian Landscape is a wood-fired series that looked to my city block as a muse— the visual identity of Toronto that lies in front, above and below me. The city manhole covers were my texture and the buildings my form. Using wood to fuel the kiln, the clay was deliberately left bare in order to allow the natural effects of the flame and ash to adorn the surfaces. I appreciate the mundane textures and forms of the everyday and these vessels serve as trace souvenirs of my immediate surroundings.
111 Queen's Park
Canada, M5S 2C7