Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
Janet Macpherson is known for her fascinating and technically complex porcelain animals. Through four multimedia, Macpherson revisits moments in Canadian history and questions commonly-held conceptions about the North, identity, and our relationship to landscape.
Don't miss the final installment of Canada Recast, hosted by Globe and Mail columnist Doug Saunders. For a look beyond Canada 150, we turn to two Canadian science-fiction visionaries: Drew Hayden Taylor and Camille Turner.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
January 9 – March 2, 2014
Amber Zuber (b. 1973) has a BA in History from McMaster University. She studied Ceramics at Sheridan College, School of Craft & Design (2010-2013). She completed a Summer Assistant Residency at Peters Valley Craft Centre in 2012. In her final year of Sheridan, she was honoured with two graduate exhibition awards for best in show, The Gardiner Museum Award (Ceramics) and The Ottenmiller Graduate Exhibition Award (Craft & Design). Since June 2013 she has been an Artist-in-Residence at Harbourfront Centre and was awarded a scholarship.
My Canadian Landscape
My work engages with concepts of identity. Through the making of objects that elicit memory, whether experienced or imagined, my work is an investigation of the self and of our attachments. Interpreting my surroundings in order to re-examine and re-invent, My Canadian Landscape is a wood-fired series that looked to my city block as a muse— the visual identity of Toronto that lies in front, above and below me. The city manhole covers were my texture and the buildings my form. Using wood to fuel the kiln, the clay was deliberately left bare in order to allow the natural effects of the flame and ash to adorn the surfaces. I appreciate the mundane textures and forms of the everyday and these vessels serve as trace souvenirs of my immediate surroundings.
111 Queen's Park
Canada, M5S 2C7