Like many of you, we have been closely following the developments of COVID-19. The Gardiner Museum is closed temporarily as of March 14, 2020.
We will continue to take guidance from our public health officials regarding the duration of the closure and will post updates to our website and social media channels as they become available. We are grateful for your support and thank you for your patience and understanding as we work to navigate this challenging time. We look forward to welcoming you back to the Gardiner soon.
Our spring sessional classes and workshops scheduled for April and May have been cancelled. Refunds will be issued automatically.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
Renowned artist An Te Liu explores the space around things. Drawn at first to the burnished surfaces and anthropomorphic features of funerary ware found in the Gardiner’s Ancient Americas collection, Liu has transformed discarded Styrofoam packing from consumer goods into ceramic sculptures that evoke a multiplicity of references. Using remnants of the contemporary world, Liu conjures forms recalling iconic works of both the ancient and modern periods. While each sculpture bears the imprint of an object in use today, the ambiguity of their origin invites reflection upon our relationship to things, both utilitarian and artistic, old and new. As such, the nineteen works of MONO NO MA stand like fossils of an evolving, unconscious present.
In Japanese, mono is a word for ‘thing’, while ma means ‘space’ or ‘gap’. Brought together by the possessive term ‘no’, they describe a form that is at once plenitude and void. Literally translated as ‘space of the thing’, MONO NO MA oscillates between memory and loss, the familiar and the enigmatic, thing and no-thing.
Exhibition Programs & Events
Friday September 6, 6 – 10 pm
Gerald Sheff And Shanitha Kachan
111 Queen's Park
Canada, M5S 2C7