We've reopened with modified summer hours and free admission on weekends! There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Please read our new health and safety policies before your visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're excited to introduce Clay Date, a new online art fundraiser in support of the Gardiner Museum and inspired by the special exhibition RAW. Presented by the Young Patron Circle's SMASH Committee, Clay Date will virtually unite a community of art enthusiasts and cultural philanthropists for an evening with artist Habiba El-Sayed.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
Online ticket sales are now closed. Tickets will be available at the door starting at 6 pm.
$18 General / $15 Gardiner Friends
Part of the Gardiner Signature Lecture Series
The Helen E. Gardiner Memorial Lecture
As Henry Clay Frick’s Fifth Avenue mansion neared completion in 1913-14, he realized that he needed furnishings to match the extraordinary quality of his Old Master paintings. In short order Italian Renaissance cassoni and bronze statuettes, French Limoges enamels and Rococo furniture, among other objects, arrived at his New York address. Included with these were Sevres and Chinese porcelain. Over the last decade the Museum has been fortunate to receive superlative private collections of Meissen and Du Paquier porcelain and French faience, as well as to purchase several master works of pottery and porcelain. This lecture celebrates the ascending prominence of ceramics at the Frick.
About the Speaker
Dr. Ian Wardropper, Director, Frick Museum
Ian Wardropper has served as the Director of The Frick Collection since the fall of 2011. After completing his Ph.D. at the Institute of Fine Arts, New York University, he was curator and later head of the department of European Decorative Arts, and Sculpture, and Ancient Art at The Art Institute of Chicago for nineteen years, until returning to New York in 2001 as Iris and B. Gerald Cantor Chairman of the Department of European Sculpture and Decorative Arts at The Metropolitan Museum of Art. He has organized over twenty exhibitions in his specialties of European sculpture, earlier decorative arts, and twentieth-century design and decorative arts. He has taught art history at six universities and published numerous books, catalogues, and articles. His most recent publications include European Sculpture, 1400-1900, in the Metropolitan Museum of Art, Bernini: Sculpting in Clay, Limoges Enamels at The Frick Collection, and Director’s Choice: The Frick Collection.
Image: The Fragonard Room, The Frick Collection, New York; Photo: Michael Bodycomb
111 Queen's Park
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