The Gardiner is now open from Thursday - Sunday, including free weekend admission! There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Clay Restaurant is still open Tuesday - Sunday. Reservations fill up fast, so book your table early. Please read our new health and safety policies before you visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're firing up the kilns again! Join us on Saturdays and Sundays from 1 - 3 pm for drop in clay classes in our pottery studios. We've reduced our class sizes to allow for safe physical distancing, and instituted new health and safety protocols. Registration opens online at 10 am on the morning of the class. We can't wait to see you back in the studios!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
Scotiabank CONTACT Photography Festival Featured Exhibition
During weekly classes at the Gardiner Museum, Chris Curreri photographed students’ wet and discarded projects. The resulting series of photographs, Untitled (Clay Portfolio), focuses on the material of clay as it shifts between states of form and states of formlessness. Some of the prints in the series have a subtle solarization effect—a phenomenon in photography in which the image is wholly or partially reversed in tone by exposing the print to light during the development process.
This process underscores a correspondence between the photographic darkroom and the pottery studio by emphasizing the brief moment where the latent image is still malleable and has yet to be fixed to the photographic paper. The images themselves, depict raw material in different states: fresh and untouched clay; bowls and other identifiable objects left discarded in a pile; and the stuffing of this discarded matter into a machine that compresses and extrudes it as new, usable material. One thing is not depicted in the photographs: the moment when the material becomes a calcified, acceptable thing.
The portfolio will be accompanied by a new sculptural work titled That, There, It that elaborates on the relationships between raw material, latency, and fixed (or fired) finality.
About the Scotiabank CONTACT Photography Festival
Scotiabank CONTACT Photography Festival is an annual event in May with well over 1500 Canadian and international artists and photographers exhibiting at more than 175 venues throughout the Greater Toronto Area. Founded as a not-for-profit organization in 1997 and now a charitable organization, the Festival is devoted to celebrating, and fostering the art and profession of photography, through a diverse range of programmes.
As a leading proponent of photography, the Festival increases exposure and recognition for local, Canadian and international artists and is committed to advancing knowledge, creativity and innovation in photography. It stimulates excitement and discussion among a diverse audience that has grown to over 1.8 million. CONTACT is the largest photography event in the world, and a premiere cultural event in Canada.