Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
On now! Yoko Ono is a forerunner of Conceptual art who frequently involves collaboration, audience participation, and social activism in her artwork. YOKO ONO: THE RIVERBED is a three-part interactive exhibition that invites visitors to collaborate with the artist, the museum, and each other.
On Tuesday April 24, join Karina H. Corrigan, Curator of Asian Export Art at the Peabody Essex Museum, for a fascinating exploration of the transformative impact that Asian luxuries had on Dutch art and life in the 17th century, offering new perspectives on the Dutch Golden Age and its relationship to Asia.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Co-presented by Younger Than Beyoncé (YTB) Gallery, Pleasure Dome, and Gardiner Museum
Please note: Students can use the coupon code “studenteyeblink” to receive a 20% discount on tickets. Student IDs will be checked at the door.
In support of the Gardiner Museum’s exhibition YOKO ONO: THE RIVERBED, Eyeblink is a three-part monthly screening and performance series that draws inspiration from Ono’s 1960s and 1970s filmmaking.
8 pm: Doors open
9 pm: Event starts
In her written instructions for her 1970 film Fly, Ono characterizes the film as, “about a fly going from the toe to the head of a naked body, crawling very slowly.” The conflict between voyeurism and empathy play a central role in Ono’s Freedom and Fly (both 1970), where female bodies are shown in positions of prolonged discomfort, invoking a mixed response from viewers of lust, revulsion, anger, and a shared unease.
This co-presentation with Younger Than Beyoncé (YTB) Gallery, Pleasure Dome and the Gardiner Museum is inspired by the underlying feelings of rage and empathy witnessed by the audience in Freedom and Fly.
In the Gardiner’s lobby, Pleasure Dome will screen Frances Leeming’s iconic The Orientation Express in an installation format. Her pop art animations are hitched to a feminist train of unending wit and corporate takedowns.
Upstairs, YTB Gallery has devised Smash The Patriarchy; a party engaging with enragement. Partygoers are encouraged to scream, shout, dance wildly and support each other’s righteous anger at the patriarchy. The party includes performances by Ronnie Clarke and Annie Wong which explore rage, empathy, and in the case of Wong’s We’re Winning So No Comment, multiple perspectives on intersectional feminism. Films by Kelsey Whyte depict the hellish discomfort of the model/actress in a dystopian photo shoot that invoke similar sensations of unease as in Ono’s films. These artworks spark outrage, but also encourage empathy and listening between different experiences and forms of oppression within feminism, and encourage conversation about how feminism has changed since Ono’s films were released in the 1970s.
Admission includes entry to YOKO ONO: THE RIVERBED.
Younger Than Beyoncé (YTB) Gallery is a nomadic, D.I.Y. gallery for emergent and experimental art practices. YTB provides discursive space for critical conversations and risk-taking through new configurations of audience, artists, and community.
Pleasure Dome is an artist-run exhibition collective dedicated to the presentation of artist’s movies. Since the fall of 1989, PD’s porous board structure has ensured a shape-shifting openness to new artists, forgotten histories, and fringe presentation models. We have published books, posters and zines, organized tours, made zillions of studio visits and partnered with orgs the size of small asteroids and others that require specialized science gear just to pick them out of the landscape. We believe in artists first, the voice of the artist, the payment of artists. Everything else follows from that.
Header image: Still from a Kelsey Whyte work. Image courtesy of the artist / YTB.
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111 Queen's Park
Canada, M5S 2C7