Chef Bianca Azupardo presents inspired seasonal menus that showcase locally-sourced ingredients, complemented by stunning views of the city.
The crisis surrounding murdered and missing Indigenous women, girls, trans, and queer community members continues, with thousands of documented cases in both Canada and the U.S. The Gardiner presents the Canadian premiere of Cannupa Hanska Luger: Every One & Kali Spitzer: Sister, an installation commemorating those who have been lost.
On September 24, don't miss the rare opportunity to hear from the Rijksmuseum's Curator of East Asian Art, Menno Fitski, and discover the mysterious history of a Japanese treasure that disappeared in early 20th century only to reappear in 2013. Get tickets now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Part of the Contact Photography Festival
Glenn Lewis: The Poetic Process is a conceptual work that opens a space for conversation between two media: ceramics and photography. Presented for the first time at the Gardiner Museum, this installation combines a series of five pots made during a residency at the Leach Pottery in St. Ives, England, and twenty large-scale photographs of roses taken in German and English gardens. The juxtaposition reflects on the long history and symbolism of the rose and vessel form: two dominant motifs and shapes from medieval Europe when art and craft were still creatively united. The installation also comprises a series of ceramic tiles printed with Lewis’ photographs of fragrant roses.
Glenn Lewis’ work asks viewers to look closely. His photographs reveal the details of the blooms—pollen, dew drops, and petals—tempting viewers to approach and smell them. The vessels’ surfaces are also inscribed with a history. When Lewis unpacked the pieces in Vancouver, he discovered that they were damaged. Rather than discard them, he repaired them using the Japanese technique of kintsugi, an art of mending by which the breaks are not hidden but revitalized through the use of gold, encouraging the viewer to see beauty in imperfections.
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