In accordance with the announcement by the provincial government, the Gardiner Museum has closed temporarily, effective Monday November 23. While this news is difficult, the health and safety of our visitors, staff, and the wider community remains our top priority. We'll continue to provide you with engaging digital content to keep us connected while the galleries are closed.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
In accordance with instructions from the provincial government, the Museum closed to the public on Monday November 28 and we have cancelled all clay classes. We regret the inconvenience this may cause, but are hopeful that these actions will help maintain the health and safety of our communities. We will automatically be crediting students with a refund for remaining sessions.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
Online ticket sales are now closed. Tickets will be available at the door starting at 6 pm.
$18 General / $15 Gardiner Friends
Part of the Gardiner Signature Lecture Series
The Robert and Marian Cumming Lecture
There is a wealth of information to be gleaned by deciphering ceramics in Victorian art and literature. This richly illustrated presentation shows that English Genre, Pre-Raphaelite and Aesthetic artists, as well as novelists Charles Dickens, Charlotte Brontë, George Eliot, and Anthony Trollope charged their pottery and porcelain with deep metaphorical meanings to heighten the narrative for the public to interpret. Crockery in the cupboard, on the mantel, the table or the floor represented popular motifs exemplifying topical issues touching upon hygiene, faith, temperance and etiquette. Broken and empty vessels stood for despair, neglect, and personified ‘fallen’ women; or alternatively platters and cups filled with food, drink and flowers signified happiness and domesticity. Specific objects, especially jugs were coded by color, size, form and location to demarcate gender and virtue, while the ubiquitous blue willow plate ignited the social divisions of the time: on the one hand serving as a lightening rod of bad taste and lower class and on the one hand embodying national pride of English manufacturing, nostalgia and domesticity, only to be embraced and adopted in the mania for blue-and-white china. This talk explains how depictions of ceramics played a central role moralizing and decorating Victorian society.
About the Speaker
Dr. Rachel Gotlieb, Gardiner Adjunct Curator of Modern and Contemporary Art
Dr. Rachel Gotlieb is Adjunct Curator at the Gardiner Museum in Toronto. She was previously the Gardiner’s Chief Curator and Interim Executive Director. She was the 2017 Theodore Randall International Chair in Art and Design at Alfred University in New York. Gotlieb is currently writing a book titled Ceramics in the Era Victorian: Meanings and Metaphors.
Robert & Marian Cumming
Victorian Studies Association of Ontario
Image: Destiny, John William Waterhouse, 1900
111 Queen's Park
Canada, M5S 2C7