In accordance with the announcement by the provincial government, the Gardiner Museum has closed temporarily, effective Monday November 23. While this news is difficult, the health and safety of our visitors, staff, and the wider community remains our top priority. We'll continue to provide you with engaging digital content to keep us connected while the galleries are closed.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
In accordance with instructions from the provincial government, the Museum closed to the public on Monday November 28 and we have cancelled all clay classes. We regret the inconvenience this may cause, but are hopeful that these actions will help maintain the health and safety of our communities. We will automatically be crediting students with a refund for remaining sessions.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
The Vase Project: Made in China, Landscape in Blue
Curated by Barbara Diduk, Charles A. Dana Professor of Art at Dickinson College, Carlisle, Pennsylvania, in collaboration with Zhao Yu, Assistant Professor at the Hunan Normal University, Changsha, China
The Vase Project celebrates the art of copying and the role of the usually anonymous artist in Jingdezhen. Working with 101 blank vases, the curators created a visual chain letter selecting factory workers and painters from independent workshops around the city to copy and hand‐paint a blue-and-white contemporary landscape based on their original sketch of the smoke stacks of Jingdezhen.
The project took place sequentially over a two year period: the first factory artist received the sketch which he/she copied on a blank vessel which was then fired and passed on to the next artist to copy on a new identical blank vase and so on.
The Vase Project exhibition reveals that even when working by rote or mimetically the anonymous artist’s individual brushstrokes contribute to a singular one-off aesthetic within mass‐production.
Go East: Canadians Celebrate China
Curated by Rachel Gotlieb
This exhibition explores the recent allure of China on Canadian ceramicists. In the past few years, numerous ceramic artists have attended residencies and exchanges in Fuping and Jingdezhen, replacing the tradition of visiting Japanese folk (Mingei) potteries, in search of authentic experiences.
The exhibition traces this new direction and how/if it has re-shaped ceramic practice in Canada. Themes include contemporary Western interpretations of Asian iconography, the relationship between the handmade and mass production and the endurance of blue-and-white (Qing Hua).
Go East features work by nine artists from across Canada that were made in China or inspired by their experience of living there. Artists participating in this exhibition are: Susan Collett, Jackson Li, Sin-ying Ho, Rory MacDonald, Sally Michener, Ann Mortimer, Paul Mathieu, Walter Ostrom and Diane Sullivan.
Exhibition Programs & Events
Tues October 23, 6:30 – 8 pm For the Emperor and for Export: A Survey of Seven Centuries of Blue-and-White Porcelain Production at Jingdezhen Presented with support from the Murray and Ann Bell Endowment Fund Christina Prescott-Walker of Sotheby’s New York, surveys seven centuries of Jingdezhen blue-and-white porcelain and the emergence of the Jiangxi Province city as the most significant centre of porcelain production in China. $15 General; $10 Members