We've reopened exclusively to Gardiner Friends & Get Acquainted cardholders, and we'll reopen to the public with two days of free admission on July 11 and 12. Regular admission rates resume on July 13. We can't wait to welcome you back! Please read our new health and safety policies before you visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. It reopens to the public on July 11!
We're posting family-friendly art activities inspired by our collection and the endless possibilities of clay. Visit our Family Day page for weekly crafts, colouring pages, and more fun art projects that you can enjoy at home.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
Co-presentation with The Music Gallery
How can one scream? In Voice Piece for Soprano, an instruction painting included in Yoko Ono’s 1964 artist’s book Grapefruit, the reader is given three ways in which to cry out: first “against the wind”, then “against the wall”, and finally “against the sky”. This conceptual art instruction gives readers free rein to embrace the therapeutic possibility of the hysterical scream. For an artist well-versed in compositional techniques (music was, after all, her first creative medium), Ono plays with the strictness of musical scoring by visualizing the out-of-control female voice pushed to its supposed limits.
In support of the exhibition YOKO ONO: THE RIVERBED, this intimate concert presents three local artists exploring the influence of Ono’s instructions.
Directed by the inimitable Christine Duncan, you’ve seen The Element Choir onstage with Tanya Tagaq and in R. Murray Schaefer’s magnum opus, Apocalypsis. This improvising choir was created by Christine Duncan and Jean Martin, and is directed by Duncan. The Element Choir works with both structured and non-structured elements, based primarily on a system of conduction cues. As an ensemble, they explore textural and timbral sound qualities, soundscapes, rhythmic patterns, sound poetry, musical genre interplay, and extended voice techniques.
Lillian Allen should also need no introduction to lifelong Toronto residents. She is internationally recognized as a godmother of dub lyricism, rap, and spoken word poetry. A pioneering exponent of the highly politicized form of dub poetry created in Jamaica and popularized in Britain, Allen embedded feminist voice in the literary dub art form. She founded the Toronto International Dub Poetry Festival, as well as a variety of cultural organizations such as the youth-empowering Fresh Arts. Over three decades, Allen has explored the capabilities of her voice to educate and to disrupt.
British-born, Vancouver-raised, Chicago-adopted Mamalia (aka Amalia Townsend) first came to prominence in the Juno-nominated contemporary jazz troupe Sekoya. Over the past 10 years, she has released two solo albums via Germany’s Tokyo Dawn Records. Recently relocated to Toronto, she has been busting out of her cosmic funk comfort zone to pursue electronically-abetted extreme vocal improvisation.
Please note: Music Gallery Members can use the coupon code “musicgallery” at checkout to receive $15 tickets. Membership cards will be checked at the door.
Header image: Yoko Ono, Detail of Mend Piece (Galerie Lelong, New York 2015/2016), 1966 / 2015, ceramic, glue, tape, scissors, and twine, dimensions variable; Installation view: THE RIVERBED, Galerie Lelong, New York, December 11, 2015 – January 30, 2016 © Yoko Ono, Courtesy Galerie Lelong & Co., New York
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