Like many of you, we have been closely following the developments of COVID-19. The safety of our visitors, campers, staff, and volunteers is our top priority. Upon the advice of Ontario’s Chief Medical Officer of Health, Dr. David Williams, the Gardiner Museum will close temporarily effective Saturday March 14, 2020.
We will continue to take guidance from our public health officials regarding the duration of the closure and will post updates to our website and social media channels as they become available. We are grateful for your support and thank you for your patience and understanding as we work to navigate this challenging time. We look forward to welcoming you back to the Gardiner soon.
The starting dates of our Spring Clay Classes will be delayed. Rest assured that no cancellation penalties will go into effect before the revised dates have been announced. We are working to develop a new schedule as quickly as possible and appreciate your understanding.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
9-foot-tall vessel by renowned ceramist now sits on Queen’s Park
TORONTO—The Gardiner Museum has revealed a new monumental ceramic sculpture by acclaimed Toronto-based artist Shary Boyle. The 9-foot-tall sculpture, Cracked Wheat, now sits in front of the Museum on Queen’s Park—a voluptuous cartoon figure to compliment the squat silhouette of the Jun Kaneko “head”, a fixture on the Gardiner Plaza since 2013.
Mounted on larger-than‐life childlike legs, the polished bronze and white clay of Boyle’s sculpture reimagines the 18th-century European decorative tradition of ormolu. A map of gold painted cracks between 220 unique porcelain “shards” pays homage to the reinvigorated 16th-century Japanese tradition of Kintsugi, which celebrates breakage and repair as part of an object’s history.
Boyle’s sculpture is decorated with a vintage “Canadian Wheat” pattern, which was internationally mass-produced in the 1960s as common, affordable tableware.
“Cracked Wheat playfully dares us to confront our complicated relationship to vulnerability, value, and colonialism,” said Boyle.
“This new work by Shary Boyle is a testament to the versatility and potential of clay on a grand scale, and a gift to the people of Toronto by one of Canada’s most important contemporary artists. It’s also a wonderful expression of the Gardiner’s commitment to improving access and deepening public engagement with clay,” said Kelvin Browne, Executive Director and CEO of the Gardiner Museum.
The Gardiner recently undertook a major renovation on its front entrance—the Linda Frum and Howard Sokolowski Plaza. The project involved the replacement of the front steps with concrete and local stone, the repositioning of the accessibility ramp to a more visible location on Queen’s Park, improved lighting, and an expansion of the garden designed by Neil Turnbull Ltd.
Boyle’s design was selected by a five-person jury consisting of artist and novelist, Douglas Coupland; Director of the Power Plant Contemporary Art Gallery, Gaëtane Verna; Associate Dean of OCAD University, Michael Prokopow, former Gardiner Chief Curator, Meredith Chilton; and Kelvin Browne, culminating the Gardiner Museum’s Ceramic Sculpture Competition launched in 2016.
“Whether its purpose is to delight, inspire, or promote discussion, public art has the ability to enrich an entire community,” said philanthropist Emmanuelle Gattuso, who commissioned the sculpture.
Shary Boyle represented Canada at the Venice Biennale in 2013, and has held solo exhibitions at the Art Gallery of Ontario, The Power Plant, the Contemporary Art Gallery in Vancouver, and the Institute of Contemporary Art in Philadelphia. Her work has been featured in numerous group shows, including at the Gardiner Museum, the National Gallery of Canada, the Musée d’art contemporain de Montreal, the Gyeonggi International Ceramic Biennale in South Korea, MASS MoCA, and Cité de la céramique Sèvres in France.
The Gardiner is grateful to La Fondation Emmanuelle Gattuso for commissioning the artwork and to the City of Toronto and Jane Perdue for their support of the Gardiner Museum Ceramic Sculpture Competition. The Museum would also like to recognize Councillor Kristyn Wong-Tam and Emmanuelle Gattuso, in particular, for their leadership.
Read the artist statement for more information.
ABOUT THE GARDINER MUSEUM
The Gardiner Museum brings together people of all ages and communities through the shared values of creativity, wonder, and community that clay and ceramic traditions inspire.
The George R. Gardiner Museum of Ceramic Art was founded by Toronto businessperson and philanthropist George Gardiner and his wife Helen in 1984, and was established in a building designed by Keith Wagland on the campus of Victoria University in the University of Toronto. The Museum was managed by the Royal Ontario Museum from 1987 to 1996 and then, with an additional endowment from George Gardiner before his death in 1997, became and remains an independent, non-profit museum. The Gardiner’s remarkable building was substantially renovated in 2004 by KPMB Architects.
The Gardiner Museum’s collection of ceramics comprises approximately 4,000 objects, and focuses on specific areas which have been collected in depth. These include the most important collection of European porcelain in Canada, with particular strengths in Meissen, Vienna, and Hausmaler decorated porcelain, as well as a comprehensive collection of figures inspired by the commedia dell’arte. It holds the best collection of Italian Renaissance maiolica in Canada, and a superb collection of English tin-glazed pottery. The Gardiner preserves highly significant collections of ceramics from the Ancient Americas, Chinese blue and white porcelain, Japanese porcelain, and contemporary Canadian ceramics. It also houses a research library and archives, clay studios, award-winning Shop, and a restaurant.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the world’s most notable specialty museums. For more information, please visit: gardinermuseum.com.
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