There’s more to the Gardiner than our collections. Take a clay class, learn about the art of ceramics with world-renowned guest speakers, or join us for one of our many special events.
The Gardiner Museum celebrates the art of ceramics and engages local and international audiences by promoting understanding of the long history of people crafting in clay.
Through the display of its permanent collections and special exhibitions, as well as through studio education, programs that engage diverse communities, and major contributions to scholarship, the Gardiner champions ceramics.
Support from the community is vital to the Gardiner’s ability to continue to provide
Reserve your table at CLAY Restaurant for January 31 - February 13 and enjoy a delicious $33 prix fixe menu featuring fresh, local fare. Choose from mushroom toast with burnt honey, Fogo Island cod fish and chips, our famous lamb burger, and more delectable dishes created by Chef Bianca Azupardo and her team.
The Gardiner Museum is always adding to our collection of both historical and contemporary ceramics. Our current lobby exhibition brings together a selection of modern and contemporary works acquired since the arrival of Chief Curator Sequoia Miller in April 2018 and on display for the first time.
Our popular March Break Camps give kids the opportunity to explore their creativity through clay, meet new friends, and learn hands-on skills under the guidance of a professional artist. Spots are filling up quickly. Register now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
Clay has always been a little gay. Historically associated in the West with the decorative and the domestic, ceramics has long been regarded as a feminized practice with a particularly strong queer dimension because of its status as a subaltern, or less than, painting and sculpture.
Ceramics was also integral to the feminist reclamation of art practices in the 1970s—the most famous example perhaps being Judy Chicago’s monumental installation The Dinner Party. Post-Stonewall, a generation of male artists in the Canada and the U.S., including Léopold Foulem, Paul Matheiu, and Richard Millete began queering the medium, embedding camp, kitsch, and sexually suggestive imagery in their work.
Now, there are a multitude of artists working in the U.S. and Canada who are using clay to explore queerness and continuing to push the boundaries of the medium. Here are just a few of those artists who we think you should know:
Léopold L. Foulem
Léopold L. Foulem’s subversive ceramics combine playfulness and humour with historical references to the decorative arts. Celebrated both as an artist and teacher, Foulem mentored other notable ceramists including Richard Milette, Paul Matheiu, and Jeannot Blackburn. He played a leading role in broadening the scope of Canadian ceramics to include explicitly political and social content, and was named to the Order of Canada in 2019.
As an undergraduate student at Alfred University, Ayumi Horie developed a unique process called “dry throwing,” a waterless method that encourages the natural textures and movements of clay: stretching, cracking, and sagging. She advocates for social engagement and action both through her own ceramics and as the founder of the popular Instagram account @potsinaction. In 2016, Horie co-founded The Democratic Cup project, a collaboration between 35 illustrators and potters that uses handmade cups to encourage civil conversations about social and political issues.
Kathy King uses satirical humor, irony, and sarcasm to approach issues of gender and sexuality, often featuring lesbian and feminist imagery in her ceramics. She cites comic books and tattoos among her inspirations, connecting her work in clay to her drawing practice. Her use of sgraffito, an etching technique, makes clear reference to her training as a printmaker.
The first ceramic artist to win the prestigious Turner Prize, Grayson Perry is known for his brightly-coloured ceramic vessels and tapestries that draw on autobiographical and pop culture imagery to chronicle contemporary life. A self-identified transvestite, Perry’s work often features the artist as his female alter-ego Claire.
Dustin Yager is a ceramic artist whose work deals with popular perceptions of pottery, taste, and class. Combining traditional materials and methods with explicit imagery, depictions of gay sex become cheeky adornment for his finely thrown porcelain forms. Yager actively engages with queer theory in his work, combining high and low cultural references à la Grayson Perry, as interpreted by a younger generation.
 Juicy Banana, Léopold L. Foulem, 1976, Gift of Léopold L. Foulem  Priest in Black Cassock with Boy on Mount, Léopold L. Foulem, 2012, The Diana Reitberger Collection  Octopus Jar, Ayumi Horie  Plate by Kathy King  Alan Measles and Claire Visit The Rust Belt (views of both sides), Grayson Perry, 2017  Plate by Dustin Yager
111 Queen's Park
Canada, M5S 2C7