Chef Bianca Azupardo presents inspired seasonal menus that showcase locally-sourced ingredients, complemented by stunning views of the city.
The crisis surrounding murdered and missing Indigenous women, girls, trans, and queer community members continues, with thousands of documented cases in both Canada and the U.S. The Gardiner presents the Canadian premiere of Cannupa Hanska Luger: Every One & Kali Spitzer: Sister, an installation commemorating those who have been lost.
On September 24, don't miss the rare opportunity to hear from the Rijksmuseum's Curator of East Asian Art, Menno Fitski, and discover the mysterious history of a Japanese treasure that disappeared in early 20th century only to reappear in 2013. Get tickets now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Ai Weiwei has been using LEGO bricks as a medium since 2007. He appreciates the accessibility and ubiquity of the bright, colourful bricks, stating: “As an artist, I always avoid [making] my art too ‘arty’ or too ‘high’ taste. [I] want my art to be fresh, to be understood by children.”
A short conversation between artist Ai Weiwei and his close friend and collector Larry Walsh.
As part of the Ai Weiwei: Unbroken publication, we invited curator and artist Henry Heng Lu to respond to Ai Weiwei’s Han Dynasty Vases with Auto Paint, 2015.
SMASH, the Gardiner Museum’s annual summer art party, returns on Wednesday June 26.
As part of the Ai Weiwei: Unbroken publication, we invited Toronto City Councillor and human rights activist Kristyn Wong-Tam to respond to Ai’s artwork Blue and White Porcelain Plate (Crossing the Sea), 2017.
A recap of AWW Free School: Fake News, the third workshop in a series of four that break down the themes presented in the special exhibition Ai Weiwei: Unbroken.
Remembering Sandra Alfoldy, a historian and curator who helped position Canadian crafts and scholarship on the world stage.
On a Tuesday night, a group of strangers came together and unpacked their fears, joys, triumphs, and memories using words and clay during AWW Free School: Embodied Narratives, the first in a series of four interdisciplinary workshops inspired by the exhibition Ai Weiwei: Unbroken.
Dr. Maris Gillette, author of “China’s Porcelain Capital: The Rise, Fall and Reinvention of Ceramics in Jingdezhen,” gives us tips on distinguishing real antique Chinese porcelain from forgeries.
The lobby display Best in Show spotlights a diverse range of canine-centric ceramics dating from 300 BCE to the 21st century, and reveals how artists have used clay throughout history to convey the varied relationships between dogs and people. We asked curator Natalie Hume to share with us her five favourite dogs from the display, and which one she would ultimately crown “Best in Show.”
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