Like many of you, we have been closely following the developments of COVID-19. The safety of our visitors, campers, staff, and volunteers is our top priority. Upon the advice of Ontario’s Chief Medical Officer of Health, Dr. David Williams, the Gardiner Museum will close temporarily effective Saturday March 14, 2020.
We will continue to take guidance from our public health officials regarding the duration of the closure and will post updates to our website and social media channels as they become available. We are grateful for your support and thank you for your patience and understanding as we work to navigate this challenging time. We look forward to welcoming you back to the Gardiner soon.
The starting dates of our Spring Clay Classes will be delayed. Rest assured that no cancellation penalties will go into effect before the revised dates have been announced. We are working to develop a new schedule as quickly as possible and appreciate your understanding.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
The Gardiner Museum’s Ancient Americas collection is considered to be the foremost in Canada. It encompasses 47 separate cultures from the vast modern day geographical areas of the American Southwest, Mexico, Central and South America. Some of the cultures and people of these areas date back as far as 3500 BC to AD 1550, just before the arrival of the Spanish conquistadors.
Although each of the cultures represented are considered separate distinct groups, there are similarities between many of them. From intensive agriculture to complex systems of water control, and mathematics to monumental architecture, all of these groups developed one the great miracles of human ingenuity—pottery.
The low-fired earthenware vessels and sculptures are made without the use of the potter’s wheel and are decorated using various techniques. Some of these finishes are applied prior to firing, such as slip decoration, and others, including the application of resins and pigments, are added post-firing. The themes illustrated on the works are often influenced by the flora and fauna found in their highly varied environmental zones, from rugged highlands and arid deserts to humid tropical lowlands.
Explore the Ancient Americas Collection
1. Dog Effigy Vessel (detail), Comala Style, Mexico, Colima, 300 BCE-300 CE, Gift of George and Helen Gardiner, G83.1.40
2. Escavada Black on White Bowl (detail), Ancestral Pueblo Culture, Southern Colorado Plateau, USA, 950-1300, Gift of Ulli and Carol Rath on behalf of the Rath family, G14.10.4
3. Parrot Effigy Bottle with Double Chambers (detail), Salinar Culture, Peru, North Coast, Late Early Horizon 500-300 BCE, Gift of George and Helen Gardiner, G83.1.159
4. Tetrapod Jaguar Effigy Vessel with Rattle Supports (detail), Costa Rica, Guanacaste, Nicoya Zone, Late Period VI 1200-1400, Gift of George and Helen Gardiner, G83.1.147. Photographer: Melissa Shimmerman
5. Plate with Hieroglyphic Text (detail), Maya Culture, Guatemala, Uaxactun area, early late classsic period, 550-650, Gift of George and Helen Gardiner, G83.1.120. Photographer: Toni Hafkenscheid
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