We're thrilled to welcome you back safely to the Gardiner with new exhibitions, hands-on activities, studio classes, dining, shopping, and more. Please note that all visitors 12 and older must show proof of full vaccination. Plan your visit today!
Renaissance Venice was a multicultural metropolis at the intersection of trade routes linking Europe to the Islamic World, with pigments, spices, and luxury objects flowing through the city. Discover a sensory world of more than 110 objects, including Venetian ceramics and glass, Islamic metalware, and contemporary art. Plan your visit now!
Feeling stressed? In our four-week mindfulness workshops, registered art therapist Suzanne Thomson will show you a series of clay hand-building exercises to help you relax and reconnect with the present. The first class starts on October 28, so act fast!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
We need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
At the heart of some of the most important developments of the twentieth century is the opposition between ceramic as a functional form, and ceramic as art. The first approach was expressed through the revival of studio pottery which is well illustrated in the Gardiner Museum’s collection of international ceramics. The movement originated in Britain by Bernard Leach in the 1920s and promoted hand-crafted pots for everyday life as a reaction against industry. At the same time, other artists working under the influence of Modernism, including Lucie Rie and Hans Coper, sought to liberate pottery from the imperative of function, treating the vessel as an art form. The collection also includes works by contemporary artists who use clay as a medium of sculptural expression.
The Gardiner Museum’s collection of international contemporary ceramics was established by Aaron Milrad, and has since been enriched by gifts from Claude and Christine Bissell, and Helen Gardiner, Iris and Jack Lieber, Elizabeth Lipsett, Michael and Mary Mason, Cawthra and Julyan Mulock, Diana Reitberger, and many others.
1. Gertraud Möhwald (1929-2002), Head with a Dim of Hair (detail), 2002, Gif of Alan Mandell, G14.6.1a-b
2. Gertraud Möhwald (1929-2002), Head with a Dim of Hair (detail), 2002, Gif of Alan Mandell, G14.6.1a-b
3. Adrian Saxe (b.1943), D'Nile (detail), C.2004, Gift of Helen Gardiner and Frank Lloyd, G05.8.1a-c
4. Greg Payce (b.1956), Apparently (detail), c.1999, Purchased with the support of the Canada Council for the Arts Acquisition Assistance Program, G04.19.1; Gift of the Artist, G05.13.1. Photographer: Toni Hafkenscheid