In accordance with the announcement by the provincial government, the Gardiner Museum has closed temporarily, effective Monday November 23. While this news is difficult, the health and safety of our visitors, staff, and the wider community remains our top priority. We'll continue to provide you with engaging digital content to keep us connected while the galleries are closed.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
In accordance with instructions from the provincial government, the Museum closed to the public on Monday November 28 and we have cancelled all clay classes. We regret the inconvenience this may cause, but are hopeful that these actions will help maintain the health and safety of our communities. We will automatically be crediting students with a refund for remaining sessions.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
At the heart of some of the most important developments of the twentieth century is the opposition between ceramic as a functional form, and ceramic as art. The first approach was expressed through the revival of studio pottery which is well illustrated in the Gardiner Museum’s collection of international ceramics. The movement originated in Britain by Bernard Leach in the 1920s and promoted hand-crafted pots for everyday life as a reaction against industry. At the same time, other artists working under the influence of Modernism, including Lucie Rie and Hans Coper, sought to liberate pottery from the imperative of function, treating the vessel as an art form. The collection also includes works by contemporary artists who use clay as a medium of sculptural expression.
The Gardiner Museum’s collection of international contemporary ceramics was established by Aaron Milrad, and has since been enriched by gifts from Claude and Christine Bissell, and Helen Gardiner, Iris and Jack Lieber, Elizabeth Lipsett, Michael and Mary Mason, Cawthra and Julyan Mulock, Diana Reitberger, and many others.
1. Gertraud Möhwald (1929-2002), Head with a Dim of Hair (detail), 2002, Gif of Alan Mandell, G14.6.1a-b
2. Gertraud Möhwald (1929-2002), Head with a Dim of Hair (detail), 2002, Gif of Alan Mandell, G14.6.1a-b
3. Adrian Saxe (b.1943), D'Nile (detail), C.2004, Gift of Helen Gardiner and Frank Lloyd, G05.8.1a-c
4. Greg Payce (b.1956), Apparently (detail), c.1999, Purchased with the support of the Canada Council for the Arts Acquisition Assistance Program, G04.19.1; Gift of the Artist, G05.13.1. Photographer: Toni Hafkenscheid
111 Queen's Park
Canada, M5S 2C7