Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
February 16 to May 21, 2017
Janet Macpherson: A Canadian Bestiary is an unprecedented group of installations where the artist uses her unique visual language to convey a very personal view of Canada. Through four immersive installations that include sound design by Justin Haynes and Janet Macpherson, and video projections by Renée Lear, Macpherson revisits moments in Canadian history and questions commonly-held conceptions about the North, identity, and our relationship to landscape.
David Balzer, Editor-in-Chief at Canadian Art magazine explores the problems and opportunities surrounding Canada 150: an event that could, and should, be as much about the future as the past.
The Gardiner Museum is Canada’s national museum of ceramics. It is one of a small number of specialized museums of ceramics in the world. Ceramic is the term we use to describe any object, whether created for practical, ritual, or ornamental use, that is made of clay and fired. There are many different types of […]
Each year, people like you help the Gardiner maintain the exhibitions, collections and programs that contribute to the vitality of Toronto by engaging an increasingly diverse population and helping to create community through shared experience.
Encompassing works by leading figures in the history of ceramics, the Gardiner Museum’s modern and contemporary collection shows the remarkable breadth of styles and approaches from the postwar period to the present day. Holdings illustrate the continued endurance of studio pottery alongside works exemplifying movements that sought to release the medium of clay from its functional imperative, from abstract expressionism of the late 1950s to the conceptual and post-modern approaches of the 1980s and 90s. Modern and contemporary works equally demonstrate the importance of clay as a medium of sculptural expression.
The field of ceramics today is rich and varied. The current generation of ceramists takes the medium in multiple directions. In their work they show consciousness of history and popular culture, use the medium to tell stories, and borrow from industrial techniques such as transfer-printing and mould making. Ceramics are also used in the conception of multimedia work.
The Gardiner Museum’s collection of modern and contemporary ceramics includes works by Canadian, American, and international artists and has become a major focus of collecting.
Explore Modern and Contemporary Ceramics
1. Hans Coper (1920-1981), Untitled Jug (detail), c.1953, Gift of Christine and Claude Bissell, G03.2.1
2. Adrian Saxe (b.1943), D'Nile (detail), C.2004, Gift of Helen Gardiner and Frank Lloyd, G05.8.1a-c
3. Greg Payce (b.1956), Apparently (detail), c.1999, Purchased with the support of the Canada Council for the Arts Acquisition Assistance Program, G04.19.1; Gift of the Artist, G05.13.1. Photographer: Toni Hafkenscheid
4. Gertraud Möhwald (1929-2002), Head with a Dim of Hair (detail), 2002, Gif of Alan Mandell, G14.6.1a-b
111 Queen's Park
Canada, M5S 2C7