The Gardiner Museum is open seven days a week! Explore our permanent collection, discover special exhibitions, and get hands-on with clay in our studios. We look forward to welcoming you.
Discover recent work by African American artist Sharif Bey in our lobby. Bey foregrounds African and Afro-diasporic aesthetic traditions and considers the role of historical artifacts removed from their cultures of origin.
Don't wait to sign up for the Gardiner's popular summer camps. New this year, all our week-long sessions are full-day multimedia camps, so kids can draw, paint, sculpt, and more.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
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Lobby Display
With brilliant colours and bold modelling, majolica enlivened the Victorian home. A low-fired earthenware decorated with bright lead-based glazes, it was first introduced by Herbert Minton (1793-1858) at London’s Great Exhibition of 1851. It was an immediate success and a number of manufacturers soon joined in its production.
Victorian majolica was initially inspired by Renaissance ceramics, both in form and colour. Even the name ‘majolica’ alludes to a type of Renaissance pottery known as ‘maiolica.’ Soon producers embraced other popular styles, but nature remained a constant source of inspiration, reflecting the Victorian interest in botany and gardening. The new ware also brought fantasy and humour to ceramics, with objects ranging from whimsical tableware to garden furniture and sculpture.
Shell Flower Holders, England, Minton, 1870, Majolica (lead-glazed earthenware), On loan from the Rosalie Wise Sharp Collection