Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
Part of the Scotiabank CONTACT Photography Festival, ARTIFACT by Deborah Samuel explores the narrative of transformation and evokes the spirit of clay. Viewed collectively and at a distance, the twelve carbon pigment prints produce a planetary effect evoking ancient human cultures and mysterious celestial constructions.
Chinese calligraphy is above all an art and a discipline that leads to calmness, concentration, agility, goodness, beauty, and harmony in all aspects of life. On Sunday May 28, in celebration of Asian Heritage Month, join instructor Sui-Yung Tung for a hands-on calligraphy workshop. Free with admission. No registration required.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Part of the Gardiner Signature Lecture Series & Exhibition Programming for Janet Macpherson: A Canadian Bestiary
Online ticket sales are now closed. You can still purchase tickets at the door while quantities last. $15 General; $10 Gardiner Friends
In an era where we are again seeing the dangers of nationalism—something contemporary art has claimed to reject outright, yet unquestionably participates in—it is worthwhile to think carefully, skeptically, and curiously about this anniversary and the charged moment it will afford. Here, a cultural critic explores the problems and opportunities surrounding Canada 150: an event that could, and should, be as much about the future as the past. Includes admission to Janet Macpherson: A Canadian Bestiary.
About the speaker
David Balzer, Editor-in-Chief and Co-Publisher at Canadian Art
David Balzer is a writer, editor, and teacher. He is the author of Curationism: How Curating Took Over the Art World and Everything Else, winner of ICA London’s 2015 Book of the Year, and the short-fiction collection Contrivances. He has written about art and culture for The Guardian, Modern Painters, Artforum, The Globe and Mail and others, and was the recipient of the 2015 International Award for Art Criticism. He is currently Editor-in-Chief and Co-Publisher at Canadian Art magazine, and lives in Toronto.
Image: Amy Malbeuf, Unbodied Rebirth, 2011, Performance documentation. Photographer: Dayna Danger, Courtesy of Canadian Art Magazine.
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