The Gardiner Museum celebrates the art of ceramics and engages local and international audiences by promoting understanding of the long history of people crafting in clay.
Through the display of its permanent collections and special exhibitions, as well as through studio education, programs that engage diverse communities, and major contributions to scholarship, the Gardiner champions ceramics.
Support from the community is vital to the Gardiner’s ability to continue to provide
There’s more to the Gardiner than our collections. Take a clay class, learn about the art of ceramics with world-renowned guest speakers, or join us for one of our many special events.
Executive Chef Bianca Azupardo presents inspired seasonal menus that showcase locally-sourced ingredients, complemented by stunning views of the city.
You're invited on a journey from the steamy kitchens of cooks who advocated light, flavourful cuisine centuries before our time to the dining rooms of connoisseurs who relished their meals served on newly-invented vessels. Be transported back to the 18th century through stunning objects, decadent recipes, amusing stories, and theatrical sets. Plan your visit to Savour: Food Culture in the Age of Enlightenment now!
On December 10, award-winning Cree journalist Connie Walker moderates a panel featuring exhibiting artists Cannupa Hanska Luger and Kali Spitzer, as well as Cora McGuire-Cyrette, Executive Director of the Ontario Native Women’s Health Association. The conversation will centre on the role of visual art in addressing the crisis of murdered and missing Indigenous women, girls, queer, and trans community members. Get tickets now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Online ticket sales are now closed. Tickets will be available at the door from 6 pm.
Part of the Gardiner Signature Lecture Series
The Diane Wolfe Lecture
The city of Teotihuacan was one of the most important urban centers of the ancient Americas. Drawing on a diverse population from all over Mesoamerica, Teotihuacan is at once quintessentially of its place and time while it also transcends those boundaries. Even as modern city-dwellers would instantly recognize its grid and multi-family dwellings as characteristics of our own urban forms, its monumental pyramids and hidden tunnels speak to an altogether different order, one drawn from the power of the natural world. This lecture will give an overview of the recent exhibition Teotihuacan: City of Water, City of Fire, which emphasizes recent discoveries at the site as it seeks to understand Teotihuacan as an exemplary, even archetypal, city of ancient Mexico – and a place where art served to bind the diverse population together.
About the Speaker
Matthew H. Robb, Chief Curator of the Fowler Museum at UCLA
Matthew H. Robb is Chief Curator of the Fowler Museum at UCLA, where he oversees a collection and exhibition program that emphasizes works from Africa, Asia, the Pacific, and the Americas—past and present. Prior to joining the staff of the Fowler, he was the first curator of the Arts of the Americas at the de Young Museum in San Francisco, where he curated Teotihuacan: City of Water, City of Fire, and edited the accompanying catalogue. He was Associate Curator in Charge, Department of the Arts of Africa, Oceania, and the Americas, at the Saint Louis Art Museum, where he curated and supervised complete reinstallations of the museum’s ancient American, African, Oceanic, and Native American collections. Robb holds an undergraduate degree from Princeton University; a Master’s degree from the University of Texas at Austin; and a PhD from Yale University. He has also held curatorial positions at the Walters Art Museum and the Princeton University Art Museum. He has lectured and written on a broad range of topics in the indigenous arts of the Western Hemisphere, and his work has received grants from the Getty Research Institute and the National Endowment for the Humanities.
Header image: Teotihuacan: City of Water, City of Fire. Photo courtesy Fine Arts Museums of San Francisco
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