In accordance with the announcement by the provincial government, the Gardiner Museum has closed temporarily, effective Monday November 23. While this news is difficult, the health and safety of our visitors, staff, and the wider community remains our top priority. We'll continue to provide you with engaging digital content to keep us connected while the galleries are closed.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
In accordance with instructions from the provincial government, the Museum closed to the public on Monday November 28 and we have cancelled all clay classes. We regret the inconvenience this may cause, but are hopeful that these actions will help maintain the health and safety of our communities. We will automatically be crediting students with a refund for remaining sessions.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
Focus Gallery
Creamware refers to a large family of earthenwares covered with cream-coloured glazes that were produced in England and continental Europe during the late 18th and 19th centuries. Creamware was a revolutionary product in its time because it possessed many of the same practical and aesthetic qualities as porcelain, but could be produced for a fraction of the cost. For this reason, it quickly emerged as the ceramic tableware of choice for middle class consumers.
Competition from creamware producers put great pressure on many English and European porcelain factories, helping to force some out of business and others to modify their products. For such a seemingly simple ceramic, creamware had a profound social and economic impact that resonated even in modern times.
This exhibition showcases a collection of creamwares that were donated to the Gardiner Museum in 2008 by long-time members Jean and Ken Laundy. It is the first time that many of the objects have been publicly displayed.