The Gardiner is now open from Thursday - Sunday, including free weekend admission! There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Clay Restaurant is still open Tuesday - Sunday. Reservations fill up fast, so book your table early. Please read our new health and safety policies before you visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're firing up the kilns again! Join us on Saturdays and Sundays from 1 - 3 pm for drop in clay classes in our pottery studios. We've reduced our class sizes to allow for safe physical distancing, and instituted new health and safety protocols. Registration opens online at 10 am on the morning of the class. We can't wait to see you back in the studios!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
Betty Woodman (American , b. 1930) is among the most original and most important contemporary ceramic artists. Since the 1970s, she has produced a significant and distinctive body of work that explores the boundaries between ceramics, painting, and sculpture in exciting and innovative ways. Her work has been collected by major museums around the globe, including the Metropolitan Museum of Art in New York, the Victoria and Albert Museum in London, and the Musée des Arts Decoratifs in Paris. In 2006, Woodman was given a full retrospective at the Metropolitan Museum of Art, an honour rarely bestowed by that institution on living artists.
Betty Woodman: Places, Spaces & Things features a selection of Woodman’s painted ceramics and wall installations from the past 20 years of her career. The heart of the exhibition is a group of fifty porcelain vessels that were created by Woodman during multiple residencies at the Sevres Factory in France between 1987 and 2009. Inspired by historical examples, these porcelains feature expressively distorted forms and brightly painted surfaces that recall the work of modern masters like Pablo Picasso and Henri Matisse. In addition to the Sèvres pieces, the exhibition also includes a number of large-scale painted ceramic vessels and several of Woodman’s monumental canvas and ceramic painting installations.
Places, Spaces & Things is the first major exhibition of Woodman’s work in Canada. The exhibition is guest-curated for the Gardiner Museum by Patterson Sims, former director of the Montclair Art Museum in New Jersey, working in conjunction with the artist.