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Discover an exhibition of new work in our lobby by members of Inspirations Studio, a unique low-barrier ceramics program in Toronto for women and gender diverse people who have experienced marginalization.
Our Joy of Ceramics fundraiser returns on October 27, featuring a presentation by Sarah Milroy, Chief Curator at the McMichael Gallery, who will talk about a work by Shary Boyle, including its many meanings and her decision to donate it. This event sells out every year!
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Part of the Community Arts Space: Art is Change
FREE REGISTRATION
Filmed at a studio on Mutual St. in Toronto, Imagine the Sound brings together interviews and performances by the prime innovators of the once-controversial free jazz movement of the 1960s. The first feature documentary by Toronto-based director Ron Mann (Grass, Comic Book Confidential) is an eloquent tribute to a group of highly celebrated artists that helped forge the avant-garde jazz of the 1960s.Critic and film historian Jonathan Rosenbaum has said that Imagine the Sound “may be the best documentary on free jazz that we have.”
The film features articulate interviews and dramatic performances by pianists Cecil Taylor and Paul Bley, tenor saxophone Archie Shepp, and trumpet player Bill Dixon. Alongside the dynamic performances, the film captures the diverse history and politicized roots of this unique musical genre. Imagine the Sound is an important chapter in the history of the jazz documentary.
About August Fröhls
The August Fröhls collective (led by artists/curators Aman Sandhu and Swapnaa Tamhane) will invite artists and creative practitioners to engage with local forms of storytelling, teaching, object histories, and music, within a site-specific installation on the plaza inspired by the portable classroom.
For artists/curators August Fröhls (Aman Sandhu and Swapnaa Tamhane), a significant amount of their early education in the Greater Toronto Area (specifically Scarborough and Markham) was spent in portable classrooms. Sandhu and Tamhane explore their speculative hypothesis that the presence of portable classrooms at Canadian schools could be viewed in parallel to the influx of immigrants into the Canadian landscape.
Originally intended as temporary space solutions, portable classrooms eventually became permanent infrastructure, set in place to provide extra room for a population growth that the main buildings could not have anticipated. Propositioning the portable as a space for peripheral pedagogy and histories, August Fröhls will create a site-specific outdoor installation harkening to the recognizable materials of the portable structure, and present a series of events that elicit lesser-known histories. Furthermore, operating from a belief that improvisation is a strong catalyst for the unearthing of third-space, collaged histories, improvisation as related to forms of pedagogy, storytelling, and history of objects will be explored throughout the duration of Portable Stories.
About the Community Arts Space: Art is Change
The Gardiner Museum’s unique history and identity is rooted in the city, but its future is increasingly shaped by those beyond the core cultural corridor. As space increasingly becomes a premium downtown, the Gardiner has collaborated with six cultural and community partners to consider how institutional outreach can be re-shaped by local artists, curators, and architects. Looking to the rapid high-rise developments happening within the Museum’s own Yorkville neighbourhood, the projects in Art is Change consider how the city’s unique and varied local histories of art and social activism can be re-mapped for the future. Learn more