This summer, the Gardiner Museum is breaking down barriers and moving beyond traditional museum spaces to increase access and meet our communities where you feel safe. Join us now for pop-up window exhibitions, outdoor dining, and public art projects, followed by family clay activities, wellness workshops, performances, and more.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
On Thursday June 24 at 1 pm, Chief Curator and Deputy Director Sequoia Miller will be live online with artist Kahlil Robert Irving. Kahlil has received critical acclaim for his gritty ceramics and internet collages that examine contemporary life. Register for free now!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
Part of the Community Arts Space: Art is Change
Artist Christopher Willes has invited a group of musicians, dancers, artists, and actors to develop a new performance of “To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation”, an orchestral work which first premiered in 1970 by the celebrated American composer Pauline Oliveros. Organizing as an experimental orchestra that consists of musicians and non-musicians alike, the group includes notable artists such as Anne Bourne, Allison Cameron, Ame Henderson, Anni Spadafora, Brendan Jensen, Claire Harvie, Ellen Furey, Evan Webber, Germaine Liu, Ishan Davé, Paul Chambers, and Thomas Gill.
The public is invited to drop into the gallery throughout the week and witness the rehearsals, as well as an audio installation that the group will create as a trace of their process.
A special performance will take place on August 17.
This project is supported by Public Recordings, FAM (Feminist Art Museum), The Music Gallery, and the Toronto Arts Council. Special thanks to IONE for her consultations.
About Feminist Art Museum
The Feminist Art Museum (FAM) is conceived of by curators Xenia Benivolski and Su-Ying Lee as a national, multi-site pilot project. FAM will use brick as a metaphoric and material reference to create a space for dialogue on institution building, place, space, and land.
FAM asks: What are ways of being on the land that have been supplanted by colonialism and patriarchy? What knowledge can institutions and culture makers access if seeking to approach these projects with a socio-political consciousness? Visitors to the Gardiner Museum are invited to participate in the symbolic building and disseminating gesture by contributing and bringing in their own bricks, which will become part of the installation in the gallery. The formation of the brick pile will take form over the course of the project as it grows.
Amid the installation, the exhibition hall will also host “riot rock rattles” made in a workshop facilitated by artist Tsēma Igharas, and public rehearsals led by artist Christopher Willes of Pauline Oliveros’ “Sonic Meditations” to consider the sonic as a way to take up space.
About the Community Arts Space: Art is Change
The Gardiner Museum’s unique history and identity is rooted in the city, but its future is increasingly shaped by those beyond the core cultural corridor. As space increasingly becomes a premium downtown, the Gardiner has collaborated with six cultural and community partners to consider how institutional outreach can be re-shaped by local artists, curators, and architects. Looking to the rapid high-rise developments happening within the Museum’s own Yorkville neighbourhood, the projects in Art is Change consider how the city’s unique and varied local histories of art and social activism can be re-mapped for the future. Learn more
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