The Gardiner is thrilled to announce the launch of CLAY, an original in-house restaurant offering seasonal menus of fresh, local fare in collaboration with The Food Dudes.
Closing January 20! The Gardiner has reunited for the first time more than 350 objects from Sir William Van Horne’s exceptional collection of Japanese pottery alongside archival materials and stunning watercolours.
Kids can get creative in our popular March Break camps led by a professional potter. Register your child today for hand building or wheel throwing camp, where they'll learn how to sculpt and glaze their own works of art to take home.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Gardiner Friends are invited to bring their friends and guests for a full day of free admission to the exhibition Obsession: Sir William Van Horne’s Japanese Ceramics. As a Gardiner Friend, you can bring unlimited guests free of charge on this day!
Not a Gardiner Friend? Click here to learn more about the benefits of joining.
About the Exhibition
The second half of the 19th century was a golden age of collecting in Europe and North America. The epicenter in Canada was Montreal, then the country’s economic powerhouse. In a period of colonial expansion, its business leaders collected and displayed European and Asian art to convey their emerging power and status. Sir William Van Horne (1843-1915), the American-born builder of the Canadian Pacific Railway, was one such collector.
Obsession: Sir William Van Horne’s Japanese Ceramics reunites for the first time what survives of Van Horne’s collection, alongside his exacting watercolors, elaborately annotated notebooks, letters, and related archival material. Together, these artifacts offer a remarkable case study in the history of collecting. Learn more
Header image: Tea bowl with design of baton, Kyoto ware, Kyoto, False seal of “Ninsei”, Edo-Meiji period, 19c., Stoneware, Montreal Museum of Fine Arts 1944.Ee.6, Adaline Van Horne Bequest