In accordance with the announcement by the provincial government, the Gardiner Museum has closed temporarily, effective Monday November 23. While this news is difficult, the health and safety of our visitors, staff, and the wider community remains our top priority. We'll continue to provide you with engaging digital content to keep us connected while the galleries are closed.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
In accordance with instructions from the provincial government, the Museum closed to the public on Monday November 28 and we have cancelled all clay classes. We regret the inconvenience this may cause, but are hopeful that these actions will help maintain the health and safety of our communities. We will automatically be crediting students with a refund for remaining sessions.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
Please note: As a result of the current Museum closure, the dates of the exhibition may be affected.
Outside the palace of Me is a major exhibition of new work by Canadian visual artist and performer Shary Boyle. Borrowing a line from UK poet Kae Tempest’s 2017 song “Europe Is Lost,” Outside the palace of Me assembles the artist’s ever-mounting anxieties about global crises, within the context of identity theatre. Reflecting on contemporary constructions of self through the language of costume, character, set design, and stage effects, Boyle explores how we see each other, and how we see ourselves.
In our evolving political and cultural reality, the distinction between personal integrity and public persona has become dangerously blurred. We are encouraged by social media to perform our brand for an invisible audience. Yet at the same time, role-playing and self-examination are essential tools to gain perspective on historical relationships. As global responses to racial and economic injustice, colonial violence, gender fluidity, and environmental crisis deepen and divide us, artists ask themselves: what is our responsibility for, and relationship to, dominant narratives? Is identity static, or something we shape and define, ever-moving, between us all?
Outside the palace of Me is a multi-sensory installation including drawings, ceramic sculpture, life-sized automatons, two-way mirrors, coin-operated sculpture, and an interactive score. Reimagining the museum as a collective performance space, the artist is working closely with a scenic designer, robotics engineer, amusement park innovator, and costume artist to joyfully envision a set for humanity and imagination.
Boyle mines histories of craft and obsolete technologies to connect our current realities to legacies of the past. Revolving the stage on her uncanny characters and their destabilized audience, she urges viewers to think critically about how we create both ourselves, and the world we inhabit.
About the Artist
Exhibition Partner
Michelle Koerner
Contributing Sponsors
The Hon. Linda Frum & Mr. Howard Sokolowski Rosemary Phelan/The Langar Foundation Diana Reitberger & Harry Beck The Michael Young Family Foundation
Header image: Shary Boyle, The Sculptor, 2019