Join à la Carte Kitchen Inc. at the Gardiner Bistro for lunch from Sunday to Friday in the third-floor Terrace Room with stunning views overlooking the city.
February 16 to May 21, 2017
Janet Macpherson: A Canadian Bestiary is an unprecedented group of installations where the artist uses her unique visual language to convey a very personal view of Canada. Through four immersive installations that include sound design by Justin Haynes and Janet Macpherson, and video projections by Renée Lear, Macpherson revisits moments in Canadian history and questions commonly-held conceptions about the North, identity, and our relationship to landscape.
Join Kelvin Browne (Executive Director & CEO) as he discusses the special exhibition A Canadian Bestiary with artist Janet Macpherson, video artist Renée Lear, and curator Karine Tsoumis.
The Gardiner Museum is Canada’s national museum of ceramics. It is one of a small number of specialized museums of ceramics in the world. Ceramic is the term we use to describe any object, whether created for practical, ritual, or ornamental use, that is made of clay and fired. There are many different types of […]
Each year, people like you help the Gardiner maintain the exhibitions, collections and programs that contribute to the vitality of Toronto by engaging an increasingly diverse population and helping to create community through shared experience.
July 8 – September 29, 2013
Students of the ceramics program at Sheridan College in Oakville, Ontario, created pieces inspired by – and in a response to – work from the Gardiner Museum’s historical collection as part of their curriculum.
Two pieces – by Tine DeRuiter and Habiba El-Sayed – were selected to be displayed among the Museum’s permanent collection where they present a contemporary twist on 17th century English delftware and 18th century Meissen porcelain.
Slip Cast Ceramic & Plexiglass
As a second year Ceramics student at Sheridan College, I chose the Meissen thimble for my historical research. Historically, thimbles were used in what is still largely considered “women’s work.” Being a Muslim woman I face stereotypes of the “passive homemaker.”
Using 400 slip-cast thimbles to create a “quilt” with an Islamic-inspired motif, my work suggests the idea of strength in numbers. The thimble being a small, domestic and relatively benign object is indeed quite strong and serves to protect the wearer. Together the thimbles form elements of a dynamic whole.
The Secrets That Sew The Seams Of The Unconsciousness
Earthen Ware 2013
I’m fascinated by creatures and the gardens that surround them. In my first year Ceramics assignment at Sheridan College I was asked to draw inspiration from the historical collection at the Gardiner Museum. My two characters under the tree are in conversation with the Adam and Eve chargers in the English delftware collection. I heard my teacher Linda say: “Highlight the bird that flies over the bridge of the lovers that are killed in the willows.” I wrote it down and knew I had to use it for something.
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