We're delighted to announce that the Gardiner Museum will reopen to the public with two days of free admission on Saturday July 11 and Sunday July 12. From July 13 onward, we'll resume our regular hours and admission rates. It seems we've been gone so long—we miss you and can't wait to welcome you back! Please read about our new health and safety protocols before your visit.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
We're excited to present a new live series hosted by Chief Curator Sequoia Miller in which an artist will share three of their artworks and speak about them in connection to a larger theme. On Thursday July 9 at 1 pm, Azza El Siddique, a Sudanese-Canadian interdisciplinary artist working in sculpture, installation, painting, photography, and film, will discuss three of her artworks in the context of the theme “Absence”. Registration is free!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
We’re closed until further notice, but we’re planning for the day when we can again welcome visitors. We encourage you to make a gift to the Gardiner. This will be vital for when we reopen, and is the optimistic message we all need.
This focus exhibition documents the rise of the faience industry in 17th and 18th-century France. Appreciated at all levels of society, faience (tin-glaze earthenware) provided a less costly, yet still highly refined and elegant alternative to porcelain.
Featuring approximately 40 objects for everyday use and ornamental wares, this exhibition surveys the production of the foremost faience centres, including Nevers, Rouen, Marseille, Moustiers and Strasbourg. The selection will offer insights into the social life and customs of the time, while reflecting the assimilation of technological advances and aesthetic influences that converged into France; from the initial introduction of the medium by Italian potters, to the diffusion of stylistic models from the Netherlands and the impact of cultural contacts with Asia.
The pieces featured in this exhibition were recently donated to the Gardiner Museum by Pierre Karch and Mariel O’Neill-Karch, and now constitute one of the rare collections of French faience in a public institution in North America.