We've reopened with modified summer hours and free admission on weekends! There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Please read our new health and safety policies before your visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're excited to introduce Clay Date, a new online art fundraiser in support of the Gardiner Museum and inspired by the special exhibition RAW. Presented by the Young Patron Circle's SMASH Committee, Clay Date will virtually unite a community of art enthusiasts and cultural philanthropists for an evening with artist Habiba El-Sayed.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
China and Japan have been mastering the art of making various forms of earthenware since the Neolithic Period. However, one of the most significant and far-reaching inventions in ceramic history was the discovery of porcelain in China during the Tang dynasty (618-907). Chinese porcelain is composed of two materials: kaolin (a white china clay) and petuntse (pulverised feldspathic rock, also known as china stone). When fired from temperatures in excess of 1250º C the body and the glaze fuse together and the porcelain becomes vitrified. Porcelain is characterized by being white, translucent, impermeable, and is resistant to thermal shock.
China dominated the production of porcelain and its trade for thousands of years. However, the methods of its manufacture spread elsewhere in Asia, notably to Korea and Japan. Porcelain was also traded across Asia, where it inspired the development of tin-glazed earthenware in present-day Iraq in the ninth century. Tin-glaze technology eventually spread throughout the Islamic world and most of Europe, and its decoration was often influenced by imported Chinese porcelain. Inspired by both Chinese and Japanese wares, porcelain was made commercially in Europe from the late seventeenth century. The designs and forms of Chinese and Japanese ceramics continue to reverberate throughout the world today.
Explore Chinese and Japanese Ceramics
1. Pilgrim Flask (detail), China, Qing Dynasty, Qianlong Period and Mark, c.1736-1795, The Robert Murray Bell and Ann Walker Bell Collection of Blue and White Chinese Porcelain, G98.9.1
2. Hulu (Double-gourd) Vase (detail), China, Jingdezhen, Ming Dynasty (1368-1644), The Anne Gross Collection, G15.7.1
3. Roof Sculpture of Equestrian Figure, China, Ming Dynasty (1368-1644), Collection of Ann Walker Bell, G10.4.1
4. Figure of a Courtesan (detail), Japan, Arita, c.1680-1700, The Macdonald Collection, G07.18.17
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