We're thrilled to welcome you back safely to the Gardiner with new exhibitions, hands-on activities, studio classes, dining, shopping, and more. Please note that all visitors 12 and older must show proof of full vaccination. Plan your visit today!
Renaissance Venice was a multicultural metropolis at the intersection of trade routes linking Europe to the Islamic World, with pigments, spices, and luxury objects flowing through the city. Discover a sensory world of more than 110 objects, including Venetian ceramics and glass, Islamic metalware, and contemporary art. Plan your visit now!
Feeling stressed? In our four-week mindfulness workshops, registered art therapist Suzanne Thomson will show you a series of clay hand-building exercises to help you relax and reconnect with the present. The first class starts on October 28, so act fast!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
We need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
When Chinese trade in porcelain became disrupted in the mid-seventeenth century following the fall of the Ming Dynasty, the Dutch East India Company turned to Japan, where it had an exclusive foreign monopoly on trade. The Japanese began making porcelain at Arita sometime around 1620. The earliest wares were decorated in underglaze blue and are known as Shoko-Imari. Japanese potters soon became masters of an exceptionally fine white body having discovered naturally mixed deposits of porcelain clay, with decorations in both underglaze blue and a distinctive but limited range of overglaze enamel colours. Different styles of decoration are given different names. Ko-Kutani emerged in the late 1640s for the domestic market, and is characterized by bold designs and vivid colours. This was followed in the 1660s by the Kakiemon style, with more transluscent colours and a tendency to use asymetrical designs, while the Imari style has a darker palette and is often enriched with gilding.
Kakiemon and Imari porcelain became immensely popular in Europe. Most eighteenth-century and many nineteenth-century European porcelain manufactories, as well as makers of faïence, copied the forms and designs of Japanese porcelain. The William and Molly Anne Macdonald Collection of Japanese Porcelain and Its Influence is one of the great specialized collections at the Gardiner Museum.
1. Figure of a Courtesan (detail), Japan, Arita, c.1680-1700, The Macdonald Collection, G07.18.17
2. Figure of a Courtesan (detail), Japan, Arita, c.1680-1700, The Macdonald Collection, G07.18.17
3. Hulu (Double-gourd) Vase (detail), China, Jingdezhen, Ming Dynasty (1368-1644), The Anne Gross Collection, G15.7.1
4. Roof Sculpture of Equestrian Figure, China, Ming Dynasty (1368-1644), Collection of Ann Walker Bell, G10.4.1
111 Queen's Park
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