We believe that art is for everyone. Join us this summer from Wednesday - Sunday for FREE Museum admission, hands-on activities, outdoor art displays, studio classes, dining, shopping, and more. Whether you want to explore the indoor galleries or engage with art outdoors, we're here for you. We can't wait to welcome you back to the Gardiner!
We've reopened our doors with a series of new artworks and exhibitions on display, including HEAVY SHINE, part of the Scotiabank CONTACT Photography Festival; Sheridan Graduate Show: Audax 8, a showcase of work by the next generation of ceramic artists; and Garniture Remix, an installation of vases and vessels from all areas of the collection. There's so much to discover!
We've officially launched hands-on art activities on the plaza - all summer, all outdoors, all free! Join us every Wednesday - Sunday for kids colouring activities, clay bird making workshops, and family days, part of Gardiner Goes Outside. Plan a visit with family or friends and reconnect over clay.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
In the thirteenth century, the city of Jingdezhen in Southern China became the main production centre of porcelain and by 1320, its potters further developed the use of cobalt blue for underglaze decoration. Underglaze blue decoration dominated ceramics from the early fourteenth century to the late 1700s. Blue-and-white porcelain conquered markets in South East Asia, the Middle East, Europe, and the Americas. It has aptly been called the first truly global commodity, inspiring some of the major ceramic traditions around the world.
Blue-and-white porcelain made in Jingdezhen is the main focus of the Gardiner’s collection of Chinese ceramics. It is especially rich in objects made during the late Ming and Qing dynasties and illustrates the broad demand for porcelain through wares made for various markets and users: the imperial household, the scholar and gentry classes, and the export market. Pieces in this collection also demonstrate the breadth of Chinese and export themes and decorative motifs, including Buddhist and Daoist iconography, auspicious symbols, mythical beings, and scenes derived from literary sources, while integrating forms from various cultures.
The collection of Chinese blue-and-white porcelain was established by Robert Murray Bell and Ann Walker Bell; this was the first donation of Asian ceramics to the Gardiner Museum. It has since been expanded through a significant gift from Janice Gross Stein and Susan Gross Solomon in memory of Anne Romoff Gross.
1. Hulu (Double-gourd) Vase (detail), China, Jingdezhen, Ming Dynasty (1368-1644), The Anne Gross Collection, G15.7.1
2. Hulu (Double-gourd) Vase (detail), China, Jingdezhen, Ming Dynasty (1368-1644), The Anne Gross Collection, G15.7.1
3. Roof Sculpture of Equestrian Figure, China, Ming Dynasty (1368-1644), Collection of Ann Walker Bell, G10.4.1
4. Figure of a Courtesan (detail), Japan, Arita, c.1680-1700, The Macdonald Collection, G07.18.17
111 Queen's Park
Canada, M5S 2C7