Like many of you, we have been closely following the developments of COVID-19. The safety of our visitors, campers, staff, and volunteers is our top priority. Upon the advice of Ontario’s Chief Medical Officer of Health, Dr. David Williams, the Gardiner Museum will close temporarily effective Saturday March 14, 2020.
We will continue to take guidance from our public health officials regarding the duration of the closure and will post updates to our website and social media channels as they become available. We are grateful for your support and thank you for your patience and understanding as we work to navigate this challenging time. We look forward to welcoming you back to the Gardiner soon.
The starting dates of our Spring Clay Classes will be delayed. Rest assured that no cancellation penalties will go into effect before the revised dates have been announced. We are working to develop a new schedule as quickly as possible and appreciate your understanding.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
In the thirteenth century, the city of Jingdezhen in Southern China became the main production centre of porcelain and by 1320, its potters further developed the use of cobalt blue for underglaze decoration. Underglaze blue decoration dominated ceramics from the early fourteenth century to the late 1700s. Blue-and-white porcelain conquered markets in South East Asia, the Middle East, Europe, and the Americas. It has aptly been called the first truly global commodity, inspiring some of the major ceramic traditions around the world.
Blue-and-white porcelain made in Jingdezhen is the main focus of the Gardiner’s collection of Chinese ceramics. It is especially rich in objects made during the late Ming and Qing dynasties and illustrates the broad demand for porcelain through wares made for various markets and users: the imperial household, the scholar and gentry classes, and the export market. Pieces in this collection also demonstrate the breadth of Chinese and export themes and decorative motifs, including Buddhist and Daoist iconography, auspicious symbols, mythical beings, and scenes derived from literary sources, while integrating forms from various cultures.
The collection of Chinese blue-and-white porcelain was established by Robert Murray Bell and Ann Walker Bell; this was the first donation of Asian ceramics to the Gardiner Museum. It has since been expanded through a significant gift from Janice Gross Stein and Susan Gross Solomon in memory of Anne Romoff Gross.
1. Hulu (Double-gourd) Vase (detail), China, Jingdezhen, Ming Dynasty (1368-1644), The Anne Gross Collection, G15.7.1
2. Hulu (Double-gourd) Vase (detail), China, Jingdezhen, Ming Dynasty (1368-1644), The Anne Gross Collection, G15.7.1
3. Roof Sculpture of Equestrian Figure, China, Ming Dynasty (1368-1644), Collection of Ann Walker Bell, G10.4.1
4. Figure of a Courtesan (detail), Japan, Arita, c.1680-1700, The Macdonald Collection, G07.18.17
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