The Gardiner Museum is open seven days a week. Explore our permanent collection, discover special exhibitions, get hands-on with clay in our studios, dine, shop, and more.
Enter an immersive world created by Montreal-based artist Karine Giboulo, brought to life by over 500 miniature polymer clay figures that tell stories about our most urgent social issues, from the pandemic to the climate crisis. It will delight visitors of all ages!
Registration for our popular March Break camps opens to Gardiner Friends on January 23 and to the general public on January 25. From March 13 - 17, kids and teens can explore the Museum and get creative with clay in our pottery studios!
Experience the Gardiner's world-renowned collection, in person and online. From Chinese porcelain to contemporary Canadian ceramics, discover the people and histories behind the objects.
Everyone can love clay! Become a Gardiner Friend and enjoy the benefits, including unlimited admission, advanced clay class registration, invitations to exhibition previews and special events, discounts on lectures and classes, and more.
In the closing years of the eighteenth century, Josiah Spode developed the first bone china. This hybrid porcelain contains almost 50 per cent calcined bone ash as well as kaolin and feldspar. It amalgamated two earlier developments in English porcelain: bone ash, used first by the Bow manufactory; and kaolin, discovered by William Cookworthy. Bone china was soon adopted by many producers in England because wares could be made with thin, strong bodies that were more stable in the kiln and less expensive to produce.
By 1799 Joseph Poulson, the partner of Thomas Minton, began making bone china next door to Minton’s earthenware manufactory in Stoke-on-Trent. It was marketed by Minton and financed by William Pownall. Production continued until about 1816. During this period at least 948 different patterns were introduced. In 1824, a purpose-built manufactory was built by Minton who introduced an improved formula for bone china. Minton was one of the foremost and most innovative producers of ceramics in England throughout the nineteenth century.
The Gardiner Museum collection of Minton was established by N. Robert Cumming. It ranges from a deep assemblage of early patterns and shapes, through to wares of the early twentieth century.
1. Dessert Plate from the Milton Service, "Our Night Camp on Eagle River - Expecting the Crees" (detail), England, Stoke-On-Trent, Minton, c.1967, Purchased with a Gift from N. Robert Cumming, G04.20.1
2. Dessert Plate from the Milton Service, "Our Night Camp on Eagle River - Expecting the Crees" (detail), England, Stoke-On-Trent, Minton, c.1967, Purchased with a Gift from N. Robert Cumming, G04.20.1
3. Cake Plate with Arctic Landscape (detail), England, Manufacturer Unknown, c.1840, The Barbara and James Moscovich Collection of Canadian Historical China, G13.15.44
111 Queen's Park
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