We believe that art is for everyone. Join us this summer from Wednesday - Sunday for FREE Museum admission, hands-on activities, outdoor art displays, studio classes, dining, shopping, and more. Whether you want to explore the indoor galleries or engage with art outdoors, we're here for you. We can't wait to welcome you back to the Gardiner!
We've reopened our doors with a series of new artworks and exhibitions on display, including HEAVY SHINE, part of the Scotiabank CONTACT Photography Festival; Sheridan Graduate Show: Audax 8, a showcase of work by the next generation of ceramic artists; and Garniture Remix, an installation of vases and vessels from all areas of the collection. There's so much to discover!
We've officially launched hands-on art activities on the plaza - all summer, all outdoors, all free! Join us every Wednesday - Sunday (weather permitting) for kids colouring activities, clay bird making workshops, and family days, part of Gardiner Goes Outside. Plan a visit with family or friends and reconnect over clay.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
In the closing years of the eighteenth century, Josiah Spode developed the first bone china. This hybrid porcelain contains almost 50 per cent calcined bone ash as well as kaolin and feldspar. It amalgamated two earlier developments in English porcelain: bone ash, used first by the Bow manufactory; and kaolin, discovered by William Cookworthy. Bone china was soon adopted by many producers in England because wares could be made with thin, strong bodies that were more stable in the kiln and less expensive to produce.
By 1799 Joseph Poulson, the partner of Thomas Minton, began making bone china next door to Minton’s earthenware manufactory in Stoke-on-Trent. It was marketed by Minton and financed by William Pownall. Production continued until about 1816. During this period at least 948 different patterns were introduced. In 1824, a purpose-built manufactory was built by Minton who introduced an improved formula for bone china. Minton was one of the foremost and most innovative producers of ceramics in England throughout the nineteenth century.
The Gardiner Museum collection of Minton was established by N. Robert Cumming. It ranges from a deep assemblage of early patterns and shapes, through to wares of the early twentieth century.
1. Dessert Plate from the Milton Service, "Our Night Camp on Eagle River - Expecting the Crees" (detail), England, Stoke-On-Trent, Minton, c.1967, Purchased with a Gift from N. Robert Cumming, G04.20.1
2. Dessert Plate from the Milton Service, "Our Night Camp on Eagle River - Expecting the Crees" (detail), England, Stoke-On-Trent, Minton, c.1967, Purchased with a Gift from N. Robert Cumming, G04.20.1
3. Cake Plate with Arctic Landscape (detail), England, Manufacturer Unknown, c.1840, The Barbara and James Moscovich Collection of Canadian Historical China, G13.15.44
111 Queen's Park
Canada, M5S 2C7