In accordance with the announcement by the provincial government, the Gardiner Museum has closed temporarily, effective Monday November 23. While this news is difficult, the health and safety of our visitors, staff, and the wider community remains our top priority. We'll continue to provide you with engaging digital content to keep us connected while the galleries are closed.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
In accordance with instructions from the provincial government, the Museum closed to the public on Monday November 28 and we have cancelled all clay classes. We regret the inconvenience this may cause, but are hopeful that these actions will help maintain the health and safety of our communities. We will automatically be crediting students with a refund for remaining sessions.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
The 19th century saw the perfection and invention of many new ceramic bodies and methods of decoration. These techniques enabled the mass-production of quality, yet affordable tableware that appealed to a wide segment of the market.
This period was also characterized by stylistic eclecticism. By mid-century, the prevailing neoclassical taste was replaced by a vast array of revival styles, leading to the Gothic revival and a new interest in the art of Antiquity and the Renaissance. At the turn of the century, traditional historical revivals were rejected by proponents of the Aesthetic Movement, Arts and Crafts, Art Nouveau, and Secessionist styles.
The Gardiner Museum’s collection reflects the technological advances and stylistic movements that typify ceramic history in the nineteenth and early twentieth centuries. At the core of this collection are significant holdings of Minton and ceramics for the Canadian market.
1. Moon Flask (detail), England, Stoke-on-Trent, Minton, Deisgned by Christopher Dresser (1834-1904), c.1870-1880, Gift of N. Robert Cumming, G98.1.28
2. Dessert Plate from the Milton Service, "Our Night Camp on Eagle River - Expecting the Crees" (detail), England, Stoke-On-Trent, Minton, c.1967, Purchased with a Gift from N. Robert Cumming, G04.20.1
3. Cake Plate with Arctic Landscape (detail), England, Manufacturer Unknown, c.1840, The Barbara and James Moscovich Collection of Canadian Historical China, G13.15.44
111 Queen's Park
Canada, M5S 2C7