Chef Bianca Azupardo presents inspired seasonal menus that showcase locally-sourced ingredients, complemented by stunning views of the city.
The crisis surrounding murdered and missing Indigenous women, girls, trans, and queer community members continues, with thousands of documented cases in both Canada and the U.S. The Gardiner presents the Canadian premiere of Cannupa Hanska Luger: Every One & Kali Spitzer: Sister, an installation commemorating those who have been lost.
On September 24, don't miss the rare opportunity to hear from the Rijksmuseum's Curator of East Asian Art, Menno Fitski, and discover the mysterious history of a Japanese treasure that disappeared in early 20th century only to reappear in 2013. Get tickets now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
What does it mean to display a historical collection’s imperialist impulse? Artist Amy Wong, alongside moderator Amy Lam, leads this workshop intensive to unpack the demand for QBIPOC arts labour to drive institutional critique. The teach-in will result in the collaborative creation of a limited edition book jacket for the catalogue for Obsession: Sir William Van Horne’s Japanese Ceramics, to be released in January 2019.
10 – 11 am | Check in, visit to Obsession: Sir William Van Horne’s Japanese Ceramics, guided conversation
11 am – 12 pm | Workshop led by Amy Wong
12 – 1 pm | Lunch (not included)
1 – 2 pm | Workshop led by Amy Lam
3 – 4 pm | Breakout creative workshop for creation of book jacket
About the artists
Amy Wong is an Angry Asian feminist disguised as an oil painter. She is the founder of AAFG, a collective dedicated to dialogue centred on Diaspora Asian concerns. Foregrounding care labour, Wong conditions spaces for thinking through together to aspire towards feminist and decolonial ways of being. Wong’s paintings, drawings, mixtapes, healing soups and other performative actions layer diverse references, oscillating between different systems of representation to evoke non-linear narratives. She often works with what she considers a bad idea or a cliché in order to redefine them on her own terms.
Wong completed her BFA at Concordia University in Montreal, MFA at York University in Toronto and post-graduate studies at De Ateliers in Amsterdam, the Netherlands. Recent projects include AAFG x Art Metropole at the Toronto Art Book Fair, Kem Xuân Hương Ice Cream Shop, Chinatown Centre, Toronto ON; Shared Conversations: A Dinner with ARCs across Canada at Modern Fuel, Kingston ON; Alimentary at Obrera Centro in Mexico City.
Amy Lam is an artist, writer, and editor. She works with Jon McCurley as the artist duo Life of a Craphead. Their work spans performance art, film, and curation. The name Life of a Craphead comes from the opening joke of the very first live comedy routine they performed together in 2006. Their most recent body of work, titled Entertaining Every Second, deals with experiences and representations of Western imperialism in Asia. The title comes a Nam June Paik quote: “I am a poor [wo]man from a poor country, so I have to be entertaining every second.” The exhibition premiered at Truck Gallery and M:ST Biennial, Calgary in fall 2018 and will travel to aka artist-run, Saskatoon, and Centre Clark, Montreal, in early 2019. Life of a Craphead were longlisted for the 2018 Sobey Art Award and are inaugural recipients of the Sobey Art Award Residency at the Delfina Foundation, London U.K.
About the exhibition
The second half of the 19th century was a golden age of collecting in Europe and North America. The epicenter in Canada was Montreal, then the country’s economic powerhouse. In a period of colonial expansion, its business leaders collected and displayed European and Asian art to convey their emerging power and status. Sir William Van Horne (1843-1915), the American-born builder of the Canadian Pacific Railway, was one such collector.
Obsession: Sir William Van Horne’s Japanese Ceramics reunites for the first time what survives of Van Horne’s collection, alongside his exacting watercolors, elaborately annotated notebooks, letters, and related archival material. Together, these artifacts offer a remarkable case study in the history of collecting. Learn more
111 Queen's Park
Canada, M5S 2C7