The Gardiner Museum is closed temporarily in response to the COVID-19 outbreak. Check our homepage for a rotating selection of online resources and digital art experiences that you can enjoy at home. Be sure to sign up for our e-newsletter and follow us on social media for your daily ceramics fix.
During our temporary closure, we're posting exhibitions and selections from our collection online through Google Arts & Culture. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
Our spring sessional classes and workshops scheduled for April and May have been cancelled. Refunds will be issued automatically. If you have any questions, please email us at email@example.com.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
We're closed until further notice, but we're planning for the day when we can again welcome visitors. We encourage you to renew your membership or otherwise continue your support. This will be vital for when we re-open, and is the optimistic message we all need.
Today, Japanese clay art is experiencing one of the richest and most diverse periods in its long history. Throughout 2018, three lobby displays, curated by Joan B. Mirviss, an authority on Japanese ceramics and a New York City gallery owner for 40 years, will feature the work of ground-breaking Japanese ceramists who stand on the world stage, boldly asserting their independence, creativity, and technical genius.
For centuries in Japan, women were excluded from the male-dominated landscape of ceramic arts, restricted from taking apprenticeships, making ceramic vessels, or even participating in the firing process. However, with the advent of university programs and professional ceramic schools throughout Japan in the postwar era, women have been able to move past these gender-specific boundaries. Today, Japanese female masters of clay are the equals of their male contemporaries, as luminaries and independent creative talents.
Japan Now: Female Masters showcases the brilliant work of some of the most celebrated contemporary female ceramists of Japan. With their own sensibilities and without ties to specific regional or familial ceramic traditions, these artists have raised their nation’s ceramic arts to an entirely new level.
January 12 – April 22
Form + Function
June 7 – September 2
September 7 – January 13
Header image: Fujikasa Satoko, Hiten; Seraphim, 2016. Stoneware with white slip glaze. 23 1/4 x 25 1/8 x 17 3/4 in. On loan from the Diana Reitberger Collection
111 Queen's Park
Canada, M5S 2C7