The Gardiner Museum is open seven days a week! Explore our permanent collection, discover special exhibitions, and get hands-on with clay in our studios. We look forward to welcoming you.
Discover recent work by African American artist Sharif Bey in our lobby. Bey foregrounds African and Afro-diasporic aesthetic traditions and considers the role of historical artifacts removed from their cultures of origin.
Don't wait to sign up for the Gardiner's popular summer camps. New this year, all our week-long sessions are full-day multimedia camps, so kids can draw, paint, sculpt, and more.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
Help us continue to offer innovative and engaging exhibitions, programs, and community projects in person and online, as well as plan for the future. Please consider making a donation today.
Today, Japanese clay art is experiencing one of the richest and most diverse periods in its long history. Throughout 2018, three lobby displays, curated by Joan B. Mirviss, an authority on Japanese ceramics and a New York City gallery owner for 40 years, will feature the work of ground-breaking Japanese ceramists who stand on the world stage, boldly asserting their independence, creativity, and technical genius.
For centuries in Japan, women were excluded from the male-dominated landscape of ceramic arts, restricted from taking apprenticeships, making ceramic vessels, or even participating in the firing process. However, with the advent of university programs and professional ceramic schools throughout Japan in the postwar era, women have been able to move past these gender-specific boundaries. Today, Japanese female masters of clay are the equals of their male contemporaries, as luminaries and independent creative talents.
Japan Now: Female Masters showcases the brilliant work of some of the most celebrated contemporary female ceramists of Japan. With their own sensibilities and without ties to specific regional or familial ceramic traditions, these artists have raised their nation’s ceramic arts to an entirely new level.
January 12 – April 22
Form + Function
June 7 – September 2
September 7 – January 13
Header image: Fujikasa Satoko, Hiten; Seraphim, 2016. Stoneware with white slip glaze. 23 1/4 x 25 1/8 x 17 3/4 in. On loan from the Diana Reitberger Collection
111 Queen's Park
Canada, M5S 2C7