The Gardiner is now open from Thursday - Sunday, including free weekend admission! There's plenty of space to reconnect and amazing art to discover in all corners of the Museum. Clay Restaurant is still open Tuesday - Sunday. Reservations fill up fast, so book your table early. Please read our new health and safety policies before you visit.
From sticky to crusty, pliable to powdery, and shaped to shapeless, clay’s ability to transform in real time is prompting a new generation of artists to explore the possibilities of this ancient material. RAW features new work by four artists who are pushing boundaries with unfired clay: Cassils, Magdolene Dykstra, Azza El Siddique, and Linda Swanson. See it now!
We're firing up the kilns again! Join us on Saturdays and Sundays from 1 - 3 pm for drop in clay classes in our pottery studios. We've reduced our class sizes to allow for safe physical distancing, and instituted new health and safety protocols. Registration opens online at 10 am on the morning of the class. We can't wait to see you back in the studios!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
As we begin to welcome visitors back to the Gardiner, we need your support to continue offering innovative and engaging exhibitions, programs, and community projects on site and online. Make a donation and help us build community with clay.
Today, Japanese clay art is experiencing one of the richest and most diverse periods in its long history. Throughout 2018, three lobby displays, curated by Joan B. Mirviss, an authority on Japanese ceramics and a New York City gallery owner for 40 years, will feature the work of ground-breaking Japanese ceramists who stand on the world stage, boldly asserting their independence, creativity, and technical genius.
Surface effects, whether occurring naturally through wood-firing, textured by carving or impression, or decorated by the application of glazes or other techniques, are typically regarded as defining a work. Surface showcases how contemporary Japanese artists are using the ceramic form as a canvas upon which to explore colour, texture, and pattern. Intended to be seen up close in order to reveal their masterful physical attributes, the surface of these ceramic works reflect the heart of the clay aesthetic.
January 12 – April 22
Form + Function
June 7 – September 2
September 7 – January 13
Header image: Sakiyama Takayuki, Chōtō; Listening to the Waves, 2012, Stoneware with sand glaze, 10 3/8 x 9 1/2 x 5 5/8 in, On loan from Joan B Mirviss LTD
111 Queen's Park
Canada, M5S 2C7