Chef Bianca Azupardo presents inspired seasonal menus that showcase locally-sourced ingredients, complemented by stunning views of the city.
The crisis surrounding murdered and missing Indigenous women, girls, trans, and queer community members continues, with thousands of documented cases in both Canada and the U.S. The Gardiner presents the Canadian premiere of Cannupa Hanska Luger: Every One & Kali Spitzer: Sister, an installation commemorating those who have been lost.
On September 24, don't miss the rare opportunity to hear from the Rijksmuseum's Curator of East Asian Art, Menno Fitski, and discover the mysterious history of a Japanese treasure that disappeared in early 20th century only to reappear in 2013. Get tickets now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
Lobby Display
Today, Japanese clay art is experiencing one of the richest and most diverse periods in its long history. Throughout 2018, three lobby displays, curated by Joan B. Mirviss, an authority on Japanese ceramics and a New York City gallery owner for 40 years, will feature the work of ground-breaking Japanese ceramists who stand on the world stage, boldly asserting their independence, creativity, and technical genius.
Surface effects, whether occurring naturally through wood-firing, textured by carving or impression, or decorated by the application of glazes or other techniques, are typically regarded as defining a work. Surface showcases how contemporary Japanese artists are using the ceramic form as a canvas upon which to explore colour, texture, and pattern. Intended to be seen up close in order to reveal their masterful physical attributes, the surface of these ceramic works reflect the heart of the clay aesthetic.
January 12 – April 22 Form + Function
June 7 – September 2 Surface
September 7 – January 13 Female Masters
Presented by
Supported by
Header image: Sakiyama Takayuki, Chōtō; Listening to the Waves, 2012, Stoneware with sand glaze, 10 3/8 x 9 1/2 x 5 5/8 in, On loan from Joan B Mirviss LTD