In accordance with the announcement by the provincial government, the Gardiner Museum has closed temporarily, effective Monday November 23. While this news is difficult, the health and safety of our visitors, staff, and the wider community remains our top priority. We'll continue to provide you with engaging digital content to keep us connected while the galleries are closed.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
In accordance with instructions from the provincial government, the Museum closed to the public on Monday November 28 and we have cancelled all clay classes. We regret the inconvenience this may cause, but are hopeful that these actions will help maintain the health and safety of our communities. We will automatically be crediting students with a refund for remaining sessions.
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
With the Museum closed temporarily, we need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
Lobby Display
Today, Japanese clay art is experiencing one of the richest and most diverse periods in its long history. Throughout 2018, three lobby displays, curated by Joan B. Mirviss, an authority on Japanese ceramics and a New York City gallery owner for 40 years, will feature the work of ground-breaking Japanese ceramists who stand on the world stage, boldly asserting their independence, creativity, and technical genius.
Surface effects, whether occurring naturally through wood-firing, textured by carving or impression, or decorated by the application of glazes or other techniques, are typically regarded as defining a work. Surface showcases how contemporary Japanese artists are using the ceramic form as a canvas upon which to explore colour, texture, and pattern. Intended to be seen up close in order to reveal their masterful physical attributes, the surface of these ceramic works reflect the heart of the clay aesthetic.
January 12 – April 22 Form + Function
June 7 – September 2 Surface
September 7 – January 13 Female Masters
Presented by
Supported by
Header image: Sakiyama Takayuki, Chōtō; Listening to the Waves, 2012, Stoneware with sand glaze, 10 3/8 x 9 1/2 x 5 5/8 in, On loan from Joan B Mirviss LTD