There’s more to the Gardiner than our collections. Take a clay class, learn about the art of ceramics with world-renowned guest speakers, or join us for one of our many special events.
The Gardiner Museum celebrates the art of ceramics and engages local and international audiences by promoting understanding of the long history of people crafting in clay.
Through the display of its permanent collections and special exhibitions, as well as through studio education, programs that engage diverse communities, and major contributions to scholarship, the Gardiner champions ceramics.
Support from the community is vital to the Gardiner’s ability to continue to provide
Reserve your table at CLAY Restaurant for January 31 - February 13 and enjoy a delicious $33 prix fixe menu featuring fresh, local fare. Choose from mushroom toast with burnt honey, Fogo Island cod fish and chips, our famous lamb burger, and more delectable dishes created by Chef Bianca Azupardo and her team.
The Gardiner Museum is always adding to our collection of both historical and contemporary ceramics. Our current lobby exhibition brings together a selection of modern and contemporary works acquired since the arrival of Chief Curator Sequoia Miller in April 2018 and on display for the first time.
Our popular March Break Camps give kids the opportunity to explore their creativity through clay, meet new friends, and learn hands-on skills under the guidance of a professional artist. Spots are filling up quickly. Register now!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
Tin-glazed earthenware was introduced to England in the late sixteenth century by Flemish potters who settled in the region of Norfolk to escape religious persecution, however, potteries specializing in tin-glazed earthenware (known as delftware) flourished in the London area from about 1610. They served a wide segment of seventeenth-century society, with the highest demand coming from the gentry, rich tradesmen, and members of flourishing guilds. Increased market demand stimulated the emergence of potteries in Brislington near Bristol, and throughout the British Isles.
The collection illustrates a broad range of functional and decorative objects, embellished with popular heraldic and royal motifs, and showing the new fashion for chinoiseries and the impact of Chinese blue-and-white porcelain.
Until England started producing porcelain domestically from 1745 onwards, delftware potteries supplied better-quality ceramic tableware to a middle-class clientele who could not afford Chinese porcelain, nor the continental imports from France and Germany. The production of delftware started to decline in the 1770s when creamware, a new and technically superior earthenware body was introduced to the market.
The Gardiner Museum’s collection of English delftware was largely donated by George and Helen Gardiner and was expanded with a significant gift from Joan Clark from the collection of Thomas Henry Clark.
1. Pair of Shoes (detail), England, possibly London, 1705-1715, Gift of George and Helen Gardiner, G83.1.549.1-2. Photographer: Toni Hafkenscheid
2. Pair of Shoes (detail), England, possibly London, 1705-1715, Gift of George and Helen Gardiner, G83.1.549.1-2. Photographer: Toni Hafkenscheid
3. Hound’s Head Stirrup Cup (detail), England, c. 1770s. Gift of Jean and Kenneth Laundy, G08.2.45
4. Charger (detail), France, Rouen, attributed to the Poterat manufactory, late 17th century, The Pierre Karch and Mariel O'Neill-Karch Collection, G15.8.1
5. Dish with Scenes of the Abduction of Europa (detail), Italy, Faenza, Attributed to the Master of the Bergantini Bowl, c.1537, Gift of George and Helen Gardiner, G83.1.351
6. Bird Dish (detail), England, possibly Staffordshire, possibly by Thomas Toft (d.1689), c.1690-1710, Gift of George and Helen Gardiner, G87.1.3
7. Sculpture of a Stove (detail), Switzerland, Winterthur, c.1650, The Hans Syz Collection, G96.5.418
111 Queen's Park
Canada, M5S 2C7