Plan your visit to CLAY, offering a seasonal menu of fresh local fare in one of the city's most beautiful spaces. Try our newly-launched spring menu today!
Ai Weiwei is one of the world’s most influential artists and human rights activists, and one of China’s most formidable critics. Ai Weiwei: Unbroken features a selection of the artist's most iconic ceramics, and marks the international debut of new work. See it now!
SMASH: Nourish is a night of bold artwork, delicious cuisine, refreshing drinks, and invigorating experiences. The Gardiner Museum Young Patron Circle's annual art party sold out last year, so get your tickets early!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
This collection surveys the production of some of the most important centres of production of tin-glazed earthenware in France, where the wares were known as faïence. Knowledge of tin-glazing reached France in the second half of the sixteenth century when Italian artisans settled in the cities of Rouen, Lyon, and Nevers. In the seventeenth and eighteenth centuries, production spread to other centres such as Marseilles, Moustier, and Sceaux.
Tin-glazed earthenware was used in the making of both functional and ornamental objects. Pieces in the Gardiner Museum’s collection also show how faïence makers first worked under the influence of Italian maiolica before turning to Chinese porcelain as their main source of inspiration.
Faïence provided a less expensive alternative to Chinese porcelain and to the European hard-paste and soft-paste porcelain produced in the eighteenth century. The discovery of kaolin sources in France, which enabled the production of more durable hard-paste porcelain, as well as the spread of less expensive creamware, caused the decline of the faïence industry in the late eighteenth century.
The Gardiner’s collection of French faïence was donated by Pierre Karch and Mariel O’Neill-Karch.
1. Charger (detail), France, Rouen, attributed to the Poterat manufactory, late 17th century, The Pierre Karch and Mariel O'Neill-Karch Collection, G15.8.1
2. Charger (detail), France, Rouen, attributed to the Poterat manufactory, late 17th century, The Pierre Karch and Mariel O'Neill-Karch Collection, G15.8.1
3. Hound’s Head Stirrup Cup (detail), England, c. 1770s. Gift of Jean and Kenneth Laundy, G08.2.45
4. Pair of Shoes (detail), England, possibly London, 1705-1715, Gift of George and Helen Gardiner, G83.1.549.1-2. Photographer: Toni Hafkenscheid
5. Dish with Scenes of the Abduction of Europa (detail), Italy, Faenza, Attributed to the Master of the Bergantini Bowl, c.1537, Gift of George and Helen Gardiner, G83.1.351
6. Bird Dish (detail), England, possibly Staffordshire, possibly by Thomas Toft (d.1689), c.1690-1710, Gift of George and Helen Gardiner, G87.1.3
7. Sculpture of a Stove (detail), Switzerland, Winterthur, c.1650, The Hans Syz Collection, G96.5.418
111 Queen's Park
Canada, M5S 2C7