We're delighted to announce that the Gardiner Museum will reopen to the public with two days of free admission on Saturday July 11 and Sunday July 12. From July 13 onward, we'll resume our regular hours and admission rates. It seems we've been gone so long—we miss you and can't wait to welcome you back! Please read about our new health and safety protocols before your visit.
During our temporary closure, we're posting exhibitions and selections from our collection online. Discover Inuit ceramics, Chinese and Japanese porcelain, pottery from the Ancient Americas, and more!
We're excited to present a new live series hosted by Chief Curator Sequoia Miller in which an artist will share three of their artworks and speak about them in connection to a larger theme. On Thursday July 9 at 1 pm, Azza El Siddique, a Sudanese-Canadian interdisciplinary artist working in sculpture, installation, painting, photography, and film, will discuss three of her artworks in the context of the theme “Absence”. Registration is free!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
We’re closed until further notice, but we’re planning for the day when we can again welcome visitors. We encourage you to make a gift to the Gardiner. This will be vital for when we reopen, and is the optimistic message we all need.
Italian maiolica is one of the most sophisticated and refined ceramics produced in Renaissance Europe. Maiolica is tin-glazed earthenware, a technique which involved the addition of ashes of tin to a lead glaze in order to create an opaque white background for decoration. Originating in the ninth century in present-day Iraq, the technique spread throughout the Islamic world, reaching Southern Spain by the twelfth century, before establishing itself firmly in Italy in the fourteenth century.
One of the greatest artistic achievements of the Italian Renaissance, maiolica played important roles in the social and domestic lives of individuals. Ceramics held multiple functions; while some objects were deeply embedded in the humanist culture of the time, others served to commemorate important events, such as marriage and birth. Apothecaries also stimulated the maiolica industry with large commissions of pharmaceutical wares.
Istoriato, or narrative painting, represents the most ambitious stylistic development in the history of maiolica. Istoriato wares were decorated with scenes derived from ancient texts, mythology, as well as religious sources. The high fashion from around 1500 to about 1570, istoriato was produced in various towns of north-central Italy, with the Duchy of Urbino as the leading centre.
The Italian Renaissance maiolica collection at the Gardiner Museum is the most important in Canada. It forms part of the original donation made by George and Helen Gardiner.
1. Dish with Scenes of the Abduction of Europa (detail), Italy, Faenza, Attributed to the Master of the Bergantini Bowl, c.1537, Gift of George and Helen Gardiner, G83.1.351
2. Dish with Scenes of the Abduction of Europa (detail), Italy, Faenza, Attributed to the Master of the Bergantini Bowl, c.1537, Gift of George and Helen Gardiner, G83.1.351
3. Hound’s Head Stirrup Cup (detail), England, c. 1770s. Gift of Jean and Kenneth Laundy, G08.2.45
4. Charger (detail), France, Rouen, attributed to the Poterat manufactory, late 17th century, The Pierre Karch and Mariel O'Neill-Karch Collection, G15.8.1
5. Pair of Shoes (detail), England, possibly London, 1705-1715, Gift of George and Helen Gardiner, G83.1.549.1-2. Photographer: Toni Hafkenscheid
6. Bird Dish (detail), England, possibly Staffordshire, possibly by Thomas Toft (d.1689), c.1690-1710, Gift of George and Helen Gardiner, G87.1.3
7. Sculpture of a Stove (detail), Switzerland, Winterthur, c.1650, The Hans Syz Collection, G96.5.418
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