We're thrilled to welcome you back safely to the Gardiner with new exhibitions, hands-on activities, studio classes, dining, shopping, and more. Please note that all visitors 12 and older must show proof of full vaccination. Plan your visit today!
Renaissance Venice was a multicultural metropolis at the intersection of trade routes linking Europe to the Islamic World, with pigments, spices, and luxury objects flowing through the city. Discover a sensory world of more than 110 objects, including Venetian ceramics and glass, Islamic metalware, and contemporary art. Plan your visit now!
Feeling stressed? In our four-week mindfulness workshops, registered art therapist Suzanne Thomson will show you a series of clay hand-building exercises to help you relax and reconnect with the present. The first class starts on October 28, so act fast!
Every object in our permanent collection can be accessed through our eMuseum portal. Learn about individual collecting areas, like Italian Maiolica or Modern and Contemporary Ceramics, or search the full collection by keyword. You'll be amazed by what you discover!
We need your support to continue to offer innovative and engaging exhibitions, programs, and community projects online, as well as plan for the future. Please consider making a donation to help us build community with clay.
Just as elsewhere in Europe, Asian porcelain was collected with passion in France in the late seventeenth and early eighteenth centuries. It became part of the goût chinois (Chinese taste), which remained popular until the late eighteenth century. Porcelain was used by the nobility and the wealthy bourgeoisie for decorating, dining, the refined drinking of tea, chocolate, and coffee, and for personal uses in the boudoir.
Soft-paste porcelain was first produced in France in the late seventeenth century, developing from experiments made by faïence makers. The first commercially successful porcelain manufactory was established in Saint-Cloud, outside Paris. Other small manufactories, such as Chantilly and Villeroy-Mennecy enjoyed the patronage of the nobility. But it was the manufactory of Vincennes-Sèvres, which flourished with royal patronage and ownership, that became the arbiter of porcelain style throughout Europe from the mid-1750s until the Revolution. French manufacturers made soft-paste porcelain until kaolin was discovered at Limoges in the late 1760s, when hard-paste porcelain was produced by Sèvres, and later in Paris.
George and Helen Gardiner’s collection of French porcelain has been enhanced with significant gifts from private collectors including Pierre Karch and Mariel O’Neill-Karch. It is the most comprehensive public collection in Canada.
1. Ewer and Basin (detail), France, Sèvres, c.1758, Gift of George and Helen Gardiner, G84.1.2
2. Ewer and Basin (detail), France, Sèvres, c.1758, Gift of George and Helen Gardiner, G84.1.2
3. Wall Vase (detail), Austria, Du Paquier, c.1730, Gift of George and Helen Gardiner, G83.1.1220
4. Sunflower Dish (detail), England, London, c.1755, Gift of George and Helen Gardiner, G83.1.1108.1-2
5. The Monkey Orchestra (detail), Germany, Dresden, Meissen, c.1753-1775, Gift of George and Helen Gardiner, G83.1.675.1-.18
6. Sugar Box with Armorial (detail), Italy, Doccia, c.1745-1750, Gift of George and Helen Gardiner, G83.1.1105
7. Gardener with Watering Can (detail), Switzerland, Zurich, c.1770, The Hans Syz Collection, G96.5.421
8. Chocolate Pot (detail), Denmark, Copenhagen, c.1775, Gift of George and Helen Gardiner, G83.1.1104
9. Scowling Harlequin (detail), Germany, Meissen, c.1738-40, Gift of George and Helen Gardiner, G83.1.907
10. Teapot (detail), Germany, Meissen, c.1730, decorated at Lauche, Gift of George and Helen Gardiner, G83.1.764
11. Exotic Bird (detail), England, London, St. Jame's Factory, c.1751-1754, Gift of George and Helen Gardiner, G83.1.1005
111 Queen's Park
Canada, M5S 2C7