The Gardiner is thrilled to announce the launch of CLAY, an original in-house restaurant offering seasonal menus of fresh, local fare in collaboration with The Food Dudes.
Ai Weiwei is one of the world’s most influential artists and human rights activists, and one of China’s most formidable critics. Ai Weiwei: Unbroken features a selection of the artist's most iconic ceramics, and marks the international debut of new work. Opens February 28!
Get creative as a family with clay activities on February 17 and 18, including a fun mosaic-making workshop led by a local artist. Admission for visitors 18 and under is free everyday!
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Everyone can love clay! Become a Friend at one of the world’s great specialty museums and enjoy the benefits, including unlimited admission, invitations to exhibition previews and special events, discounts on lectures and clay classes, and more.
As the secret of porcelain spread throughout Europe, two porcelain manufactories were established in Switzerland. These independent enterprises were short-lived, being constantly challenged by the lack of aristocratic patronage, the low demand for luxury goods in a protestant society, and the high cost of production.
The first factory was established in Kilchberg-Schooren near Zurich in 1763 by a group of ambitious citizens who united to invest in the local industry and to promote large-scale artistic enterprise. The factory produced faïence and soft-paste porcelain before introducing hard-paste porcelain in 1765. The company dissolved in 1791. In 1781, two porcelain painters founded a second factory in the small town of Nyon near Geneva with a similar goal in mind; limiting foreign imports by producing high quality tableware that would respond to the local taste. The factory was active for 30 years and, as in Zurich, produced less expensive types of faïence in order to remain profitable.
Both factories sought to respond to the restrained tastes of their protestant clientele through simple forms and sober styles of decoration. The small group of pieces in the Gardiner Museum’s collection were once part of the Hans Syz collection.
1. Gardener with Watering Can (detail), Switzerland, Zurich, c.1770, The Hans Syz Collection, G96.5.421
2. Gardener with Watering Can (detail), Switzerland, Zurich, c.1770, The Hans Syz Collection, G96.5.421
3. Wall Vase (detail), Austria, Du Paquier, c.1730, Gift of George and Helen Gardiner, G83.1.1220
4. Sunflower Dish (detail), England, London, c.1755, Gift of George and Helen Gardiner, G83.1.1108.1-2
5. Ewer and Basin (detail), France, Sèvres, c.1758, Gift of George and Helen Gardiner, G84.1.2
6. The Monkey Orchestra (detail), Germany, Dresden, Meissen, c.1753-1775, Gift of George and Helen Gardiner, G83.1.675.1-.18
7. Sugar Box with Armorial (detail), Italy, Doccia, c.1745-1750, Gift of George and Helen Gardiner, G83.1.1105
8. Chocolate Pot (detail), Denmark, Copenhagen, c.1775, Gift of George and Helen Gardiner, G83.1.1104
9. Scowling Harlequin (detail), Germany, Meissen, c.1738-40, Gift of George and Helen Gardiner, G83.1.907
10. Teapot (detail), Germany, Meissen, c.1730, decorated at Lauche, Gift of George and Helen Gardiner, G83.1.764
11. Exotic Bird (detail), England, London, St. Jame's Factory, c.1751-1754, Gift of George and Helen Gardiner, G83.1.1005
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