Like many of you, we have been closely following the developments of COVID-19. The safety of our visitors, campers, staff, and volunteers is our top priority. Upon the advice of Ontario’s Chief Medical Officer of Health, Dr. David Williams, the Gardiner Museum will close temporarily effective Saturday March 14, 2020. We will continue to take guidance from our public health officials regarding the duration of the closure and will post updates to our website and social media channels as they become available. We are grateful for your support and thank you for your patience and understanding as we work to navigate this challenging time. We look forward to welcoming you back to the Gardiner soon.
The starting dates of our Spring Clay Classes will be delayed. Rest assured that no cancellation penalties will go into effect before the revised dates have been announced. We are working to develop a new schedule as quickly as possible and appreciate your understanding.
The Gardiner Museum is among the few museums in the world focused on ceramics, and is one of the most important specialty museums internationally. It houses approximately 4,000 objects, including European porcelain, ceramics from the Ancient Americas, Chinese porcelain, Japanese porcelain, and contemporary ceramics. Search the collection online!
Support the Gardiner's mission to champion clay, build community, and promote arts education. All of our memberships include a full year of free admission to the Museum, as well as discounts at CLAY Restaurant and the Gardiner Shop, and start and at just $30!
The earliest European porcelain was made in Florence between 1575 and 1587 under the patronage of Francesco I de’ Medici, grand duke of Tuscany. A limited number of highly individual soft-paste porcelain objects were made.
Porcelain was not produced again in Italy until the early eighteenth century. Christoph Conrad Hunger, one of Du Paquier’s original partners in Vienna, joined Francesco Vezzi to establish a porcelain manufactory in Venice. Hunger passed on two secrets of the production of porcelain known as the arcanum: access to kaolin and his knowledge of colours. In 1762 two other hard-paste porcelain enterprises, Le Nove and Cozzi, were established in Venice.The Marchese Carlo Ginori began making hard-paste porcelain at Doccia in Florence in 1737. He also acquired expertise from two employees of Du Paquier. The manufactory is still in operation today. A famous soft-paste porcelain manufactory also operated at Capodimonte, Naples, between 1743 and 1759.
The Gardiner Museum’s Italian porcelain collection is modest in size. It was established by George and Helen Gardiner and enriched by gifts from the collection of Dr. Hans Syz.
1. Sugar Box with Armorial (detail), Italy, Doccia, c.1745-1750, Gift of George and Helen Gardiner, G83.1.1105
2. Sugar Box with Armorial (detail), Italy, Doccia, c.1745-1750, Gift of George and Helen Gardiner, G83.1.1105
3. Wall Vase (detail), Austria, Du Paquier, c.1730, Gift of George and Helen Gardiner, G83.1.1220
4. Sunflower Dish (detail), England, London, c.1755, Gift of George and Helen Gardiner, G83.1.1108.1-2
5. Ewer and Basin (detail), France, Sèvres, c.1758, Gift of George and Helen Gardiner, G84.1.2
6. The Monkey Orchestra (detail), Germany, Dresden, Meissen, c.1753-1775, Gift of George and Helen Gardiner, G83.1.675.1-.18
7. Gardener with Watering Can (detail), Switzerland, Zurich, c.1770, The Hans Syz Collection, G96.5.421
8. Chocolate Pot (detail), Denmark, Copenhagen, c.1775, Gift of George and Helen Gardiner, G83.1.1104
9. Scowling Harlequin (detail), Germany, Meissen, c.1738-40, Gift of George and Helen Gardiner, G83.1.907
10. Teapot (detail), Germany, Meissen, c.1730, decorated at Lauche, Gift of George and Helen Gardiner, G83.1.764
11. Exotic Bird (detail), England, London, St. Jame's Factory, c.1751-1754, Gift of George and Helen Gardiner, G83.1.1005