The Gardiner Museum is open seven days a week. Explore our permanent collection, discover special exhibitions, get hands-on with clay in our studios, dine, shop, and more.
Enter an immersive world created by Montreal-based artist Karine Giboulo, brought to life by over 500 miniature polymer clay figures that tell stories about our most urgent social issues, from the pandemic to the climate crisis. It will delight visitors of all ages!
Registration for our popular March Break camps opens to Gardiner Friends on January 23 and to the general public on January 25. From March 13 - 17, kids and teens can explore the Museum and get creative with clay in our pottery studios!
Experience the Gardiner's world-renowned collection, in person and online. From Chinese porcelain to contemporary Canadian ceramics, discover the people and histories behind the objects.
Everyone can love clay! Become a Gardiner Friend and enjoy the benefits, including unlimited admission, advanced clay class registration, invitations to exhibition previews and special events, discounts on lectures and classes, and more.
The earliest European porcelain was made in Florence between 1575 and 1587 under the patronage of Francesco I de’ Medici, grand duke of Tuscany. A limited number of highly individual soft-paste porcelain objects were made.
Porcelain was not produced again in Italy until the early eighteenth century. Christoph Conrad Hunger, one of Du Paquier’s original partners in Vienna, joined Francesco Vezzi to establish a porcelain manufactory in Venice. Hunger passed on two secrets of the production of porcelain known as the arcanum: access to kaolin and his knowledge of colours. In 1762 two other hard-paste porcelain enterprises, Le Nove and Cozzi, were established in Venice.The Marchese Carlo Ginori began making hard-paste porcelain at Doccia in Florence in 1737. He also acquired expertise from two employees of Du Paquier. The manufactory is still in operation today. A famous soft-paste porcelain manufactory also operated at Capodimonte, Naples, between 1743 and 1759.
The Gardiner Museum’s Italian porcelain collection is modest in size. It was established by George and Helen Gardiner and enriched by gifts from the collection of Dr. Hans Syz.
1. Sugar Box with Armorial (detail), Italy, Doccia, c.1745-1750, Gift of George and Helen Gardiner, G83.1.1105
2. Sugar Box with Armorial (detail), Italy, Doccia, c.1745-1750, Gift of George and Helen Gardiner, G83.1.1105
3. Wall Vase (detail), Austria, Du Paquier, c.1730, Gift of George and Helen Gardiner, G83.1.1220
4. Sunflower Dish (detail), England, London, c.1755, Gift of George and Helen Gardiner, G83.1.1108.1-2
5. Ewer and Basin (detail), France, Sèvres, c.1758, Gift of George and Helen Gardiner, G84.1.2
6. The Monkey Orchestra (detail), Germany, Dresden, Meissen, c.1753-1775, Gift of George and Helen Gardiner, G83.1.675.1-.18
7. Gardener with Watering Can (detail), Switzerland, Zurich, c.1770, The Hans Syz Collection, G96.5.421
8. Chocolate Pot (detail), Denmark, Copenhagen, c.1775, Gift of George and Helen Gardiner, G83.1.1104
9. Scowling Harlequin (detail), Germany, Meissen, c.1738-40, Gift of George and Helen Gardiner, G83.1.907
10. Teapot (detail), Germany, Meissen, c.1730, decorated at Lauche, Gift of George and Helen Gardiner, G83.1.764
11. Exotic Bird (detail), England, London, St. Jame's Factory, c.1751-1754, Gift of George and Helen Gardiner, G83.1.1005