The Gardiner Museum is open seven days a week. Explore our permanent collection, discover special exhibitions, get hands-on with clay in our studios, dine, shop, and more.
Enter an immersive world created by Montreal-based artist Karine Giboulo, brought to life by over 500 miniature polymer clay figures that tell stories about our most urgent social issues, from the pandemic to the climate crisis. It will delight visitors of all ages!
Registration for our popular March Break camps opens to Gardiner Friends on January 23 and to the general public on January 25. From March 13 - 17, kids and teens can explore the Museum and get creative with clay in our pottery studios!
Experience the Gardiner's world-renowned collection, in person and online. From Chinese porcelain to contemporary Canadian ceramics, discover the people and histories behind the objects.
Everyone can love clay! Become a Gardiner Friend and enjoy the benefits, including unlimited admission, advanced clay class registration, invitations to exhibition previews and special events, discounts on lectures and classes, and more.
Hard-paste porcelain was first produced commercially in Europe at Meissen, where a manufactory was established in 1710 by Augustus the Strong, Elector of Saxony and King of Poland. Despite ardent attempts to prevent the arcanum (the secrets of porcelain production) from spreading, it proved impossible. Thanks to the poaching of expertise and personnel, a small private enterprise was established in 1718 in Vienna by Du Paquier. However, Meissen flourished and dominated the production of hard-paste porcelain in Europe until the late 1750s, when Saxony was defeated during the Seven Years War.
In 1745 the arcanum was stolen from Vienna. Porcelain manufactories were consequently established all over the German States and throughout Europe. Most were patronised by local princes and aristocrats, as it became highly fashionable to own a porcelain manufactory. Many of these failed by the end of the eighteenth century, but a few continue to flourish today.
The Gardiner Museum has outstanding holdings of Meissen porcelain given by George and Helen Gardiner. These were substantially expanded by the collection of Dr. Hans Syz, which includes examples from every German porcelain manufactory of the second half of the eighteenth century.
1. The Monkey Orchestra (detail), Germany, Dresden, Meissen, c.1753-1775, Gift of George and Helen Gardiner, G83.1.675.1-.18
2. The Monkey Orchestra (detail), Germany, Dresden, Meissen, c.1753-1775, Gift of George and Helen Gardiner, G83.1.675.1-.18
3. Wall Vase (detail), Austria, Du Paquier, c.1730, Gift of George and Helen Gardiner, G83.1.1220
4. Sunflower Dish (detail), England, London, c.1755, Gift of George and Helen Gardiner, G83.1.1108.1-2
5. Ewer and Basin (detail), France, Sèvres, c.1758, Gift of George and Helen Gardiner, G84.1.2
6. Sugar Box with Armorial (detail), Italy, Doccia, c.1745-1750, Gift of George and Helen Gardiner, G83.1.1105
7. Gardener with Watering Can (detail), Switzerland, Zurich, c.1770, The Hans Syz Collection, G96.5.421
8. Chocolate Pot (detail), Denmark, Copenhagen, c.1775, Gift of George and Helen Gardiner, G83.1.1104
9. Scowling Harlequin (detail), Germany, Meissen, c.1738-40, Gift of George and Helen Gardiner, G83.1.907
10. Teapot (detail), Germany, Meissen, c.1730, decorated at Lauche, Gift of George and Helen Gardiner, G83.1.764
11. Exotic Bird (detail), England, London, St. Jame's Factory, c.1751-1754, Gift of George and Helen Gardiner, G83.1.1005
111 Queen's Park
Canada, M5S 2C7